Scott Barley

“As artists utilise the bastardisation of image and sound to explore the very architecture of film, the cracks, the liminality, where the light gets in to these worlds of darkness, we get closer to a cinema of the body. The darkness renders our skin, our surface from the world, invisible. The darkness of the screening room renders us one with the image. Our own reality merges with the spectral reality of the image, and it becomes one. A phantom body of sensation.”