Howard was born in Los Angeles, California. Twenty-five years after the death of his father, Howard learned that his father’s family was Jewish (Howard later became a practicing Reconstructionist Jew).
Throughout his career as a composer/musician/songwriter, he has scored films of all scales and genres, earning multiple award nominations for his work. Howard began studying music as a child and went on to attend the Thacher School in Ojai, California, the Music Academy of the West in Santa Barbara, California. He then attended the University of Southern California as a piano performance major, but dropped out after a year because “He wanted to do other things than practicing the piano”.
After Howard left college, he toured with Elton John as a keyboardist during the late 1970s and early 1980s (he was part of the band that played behind John in Central Park, New York, on September 13, 1980). Howard also arranged strings for several of Elton’s songs during this period including… read more
Howard was born in Los Angeles, California. Twenty-five years after the death of his father, Howard learned that his father’s family was Jewish (Howard later became a practicing Reconstructionist Jew).
Throughout his career as a composer/musician/songwriter, he has scored films of all scales and genres, earning multiple award nominations for his work. Howard began studying music as a child and went on to attend the Thacher School in Ojai, California, the Music Academy of the West in Santa Barbara, California. He then attended the University of Southern California as a piano performance major, but dropped out after a year because “He wanted to do other things than practicing the piano”.
After Howard left college, he toured with Elton John as a keyboardist during the late 1970s and early 1980s (he was part of the band that played behind John in Central Park, New York, on September 13, 1980). Howard also arranged strings for several of Elton’s songs during this period including on the hits “Don’t Go Breaking My Heart” and “Sorry Seems to Be the Hardest Word”, as well as playing additional keyboards and synthesizers on several of Elton’s studio albums, including “Rock of the Westies” (1975), “Blue Moves” (1976), “21 at 33” (1980), and “The Fox” (1981).
In 1982, Howard was featured on Toto IV as the strings conductor and orchestrator for I Won’t Hold You Back, Afraid Of Love, and Lovers In The Night. A year later, he released the live album James Newton Howard and Friends, which featured Toto’s David Paich (keyboards), Steve Porcaro (keyboards), Jeff Porcaro (drums) and Joe Porcaro (percussion).
After his tenure with Elton John, Howard toured briefly with Crosby, Stills and Nash before moving into film music in the mid-1980s. Howard did, however, return for a brief collaboration with Elton John on his Tour De Force of Australia at the fall of 1986. Howard conducted both his own and Paul Buckmaster’s arrangements during the second half of the set, which focused on orchestrated performances of selected songs from John’s catalog.
From 1986 to 1987, Howard was married to actress Rosanna Arquette.
Howard scored the surprise blockbuster romantic comedy Pretty Woman (1990) and received his first Academy Award nomination for his score for Barbra Streisand’s drama The Prince of Tides (1991). Setting the musical mood for numerous films throughout the decade, Howard’s skills encompassed a plethora of genres, including four more best original score Oscar nominations, for the Harrison Ford action feature The Fugitive (1993), the Julia Roberts romantic comedy My Best Friend’s Wedding (1997), M. Night Shyamalan’s The Village (2004) and most recently, Michael Clayton (2007). In addition, Howard scored the Western epic Wyatt Earp (1994), Kevin Costner’s Waterworld (1995), and Primal Fear (1996). His collaborations on tunes for One Fine Day (1996) and Junior (1994) garnered Best Song nods. Along with scoring such smaller, character-driven films as Five Corners (1988), Glengarry Glen Ross (1992), and American Heart (1993), Howard proved equally skilled at composing for big-budget Hollywood spectacles, including Space Jam (1996), Dante’s Peak (1997) (theme only – score was composed by John Frizzell), and Collateral (2004). He has also scored three Disney feature films which are Dinosaur (2000), Treasure Planet and Atlantis: The Lost Empire. Though he concentrated primarily on films, Howard has also contributed music for TV series, earning an Emmy nomination in 1995 for his theme to NBC’s ratings smash ER (Howard also scored the two-hour pilot); he also provided the themes for The Sentinel and Gideon’s Crossing, winning an Emmy for the latter.
He has scored all of Shyamalan’s suspense thrillers, The Sixth Sense (1999), Unbreakable (2000), Signs (2002), The Village (2004), Lady in the Water (2006), The Happening (2008), and The Last Airbender (2010), notably dropping the intense, yet subtle, opening credit music for The Sixth Sense from the corresponding soundtrack album.
Howard is now one of the most recognized composers for film. On October 14, 2005, it was officially announced that James Newton Howard would replace Howard Shore as composer for King Kong, due to “differing creative aspirations for the score” between Shore and director Peter Jackson. The resultant score earned Howard his first Golden Globe nomination for Best Original Score. His work on Michael Clayton earned him an Oscar nomination. He followed in 2008 with his eighth Oscar nomination for Edward Zwick’s Defiance. He also collaborated with Hans Zimmer on the scores for Batman Begins and its record-breaking sequel The Dark Knight.
Some of his most recent works are The Happening, his sixth film with M. Night Shyamalan, Blood Diamond, Michael Clayton, The Water Horse: Legend of the Deep, I Am Legend, Charlie Wilson’s War, and the M. Night Shyamalan film adaptation of the Nickelodeon series “Avatar: the Last Airbender.” Additionally, in a radio interview from early 2008, Howard revealed that he would collaborate with Terrence Malick “in about a year”, a project likely to be the director’s upcoming Tree of Life. However, it was later announced that Alexandre Desplat would provide the score.
Howard debuted his work for symphony orchestra, I Would Plant A Tree, in February 2009 as part of the Pacific Symphony’s annual American Composers Festival. The debut took place at the Renee and Henry Segerstrom Concert Hall in Costa Mesa, California, with the Symphony under the direction of Carl St.Clair.
In 2009, he was awarded a Grammy along with Hans Zimmer for the soundtrack to The Dark Knight.
After being replaced in later seasons, his original theme song for the hit TV show ER returned for the final episode of the series.
In September 2010, he was appointed visiting professor of media composition at the Royal Academy of Music in London.
He also composed the song “London” off of the Blood Diamond soundtrack. —Wikipedia
