Critically hailed for his forceful, militant, authoritarian roles, Laurence Fishburne, who is sometimes mistaken for another tall, gap-toothed, mercurial, immensely talented African-American actor, Samuel L. Jackson, came out of the black theater in New York. Born in Augusta, Georgia, on July 30, 1961, Laurence’s mother, who taught high school math, transplanted her family to Brooklyn after his parents divorced. At the age of 10, he appeared in his first play, “In My Many Names and Days,” at a cramped little theater space in Manhattan. He continued on but managed to avoid the trappings of a child star per se, considering himself more a working child actor at the time. Billing himself as Larry Fishburne during this early phase, he never studied or was trained in the technique of acting.
In 1973, at the age of 12, Laurence won a recurring role on the daytime soap “One Life to Live” (1968) that lasted three seasons and subsequently made his film debut in the ghetto-themed Cornbread… read more
Critically hailed for his forceful, militant, authoritarian roles, Laurence Fishburne, who is sometimes mistaken for another tall, gap-toothed, mercurial, immensely talented African-American actor, Samuel L. Jackson, came out of the black theater in New York. Born in Augusta, Georgia, on July 30, 1961, Laurence’s mother, who taught high school math, transplanted her family to Brooklyn after his parents divorced. At the age of 10, he appeared in his first play, “In My Many Names and Days,” at a cramped little theater space in Manhattan. He continued on but managed to avoid the trappings of a child star per se, considering himself more a working child actor at the time. Billing himself as Larry Fishburne during this early phase, he never studied or was trained in the technique of acting.
In 1973, at the age of 12, Laurence won a recurring role on the daytime soap “One Life to Live” (1968) that lasted three seasons and subsequently made his film debut in the ghetto-themed Cornbread, Earl and Me (1975). At 14 Francis Ford Coppola cast him in Apocalypse Now (1979), which filmed for two years in the Phillippines. Laurence didn’t work for another year and a half after that long episode. A graduate of Lincoln Square Academy, Coppola was impressed enough with Laurence to hire him again down the line with featured roles in Rumble Fish (1983), The Cotton Club (1984), and Gardens of Stone (1987). Throughout the 1980s, he continued to build up his film and TV credit list with featured roles despite little fanfare. A recurring role as Cowboy Curtis on the kiddie show “Pee-wee’s Playhouse” (1986) helped him through whatever lean patches there were at the time.
With the new decade (1990s) came out-and-out stardom for Laurence. A choice lead in John Singleton’s urban tale Boyz n the Hood (1991) catapulted him immediately into the front of the film ranks. Set in LA’s turbulent South Central area, his potent role as a morally minded divorced father who strives to rise above the ignorance and violence of his surroundings, Laurence showed true command and the ability to hold up any film. On stage, he would become invariably linked to playwright August Wilson and his 20th Century epic African-American experience after starring for two years as the eruptive ex-con in “Two Training Running.” For this powerful, mesmerizing performance, Laurence won nearly every prestigious theater award in the books (Tony, Outer Critics Circle, Drama Desk and Theatre World). It was around the time of this career hallmark that he began billing himself as “Laurence” instead of “Larry.”
More awards and accolades came his way. In addition to an Emmy for the pilot episode of the series “Tribeca,” he was nominated for his fine work in the quality mini-movies The Tuskegee Airmen (1995) (TV) and Miss Evers’ Boys (1997) (TV). On the larger screen, both Laurence and Angela Bassett were given Oscar nominations for their raw, seething portrayals of rock stars Ike and Tina Turner in the film What’s Love Got to Do with It (1993). To his credit, he managed to take an extremely repellent character and make it a sobering and captivating experience. A pulp box-office favorite as well, he originated the role of Morpheus, Keanu Reeves’ mentor, in the exceedingly popular futuristic sci-fi The Matrix (1999), best known for its ground-breaking special effects. He wisely returned for its back-to-back sequels.
Into the millennium, Laurence extended his talents by making his screenwriting and directorial debut in Once in the Life (2000), in which he also starred. The film is based on his own critically acclaimed play “Riff Raff,” which he staged five years earlier. In 1999, he scored a major theater triumph with a multi-racial version of “The Lion in Winter” as Henry II opposite Stockard Channing’s Eleanor of Acquitaine.
On film, Fishburne has appeared in a variety of interesting roles in not-always-successful films. Never less than compelling, a few of his more notable parts include an urban speed chess player in Searching for Bobby Fischer (1993); a military prisoner in Cadence (1990); a college professor in Singleton’s Higher Learning (1995); a CIA operative in Bad Company (1995/I); the title role in Othello (1995) (he was the first black actor to play the part on film); a spaceship rescue team leader in the sci-fi horror Event Horizon (1997); a Depression-era gangster in Hoodlum (1997); a dogged police sergeant in Clint Eastwood’s Mystic River (2003); and a spelling bee coach in Akeelah and the Bee (2006). Lately, he has contributed his own special brand of star power to the already-established TV hit series “CSI: Crime Scene Investigation” (2000).
Earning multiple NAACP Image awards for his contribution to the entertainment business, he has two children, Langston and Montana, from his first marriage to actress Hajna O. Moss, who appeared with him in the films Gardens of Stone (1987) and A Rage in Harlem (1991). In September, 2002, Fishburne married Cuban-American actress Gina Torres. —IMDb
