Long before earning his B.A. from the University of Texas and his M.A. in Education from C.C.N.Y., Eli Wallach made his first on-stage appearance in a 1930 amateur production. After World War II service and intensive training at New York’s Neighborhood Playhouse, the bumpy-nosed, gravel-voiced Wallach debuted on Broadway in Skydrift (1945). In 1951, he won a Tony award for his portrayal of Alvaro Mangiaco in Tennessee Williams’ The Rose Tattoo. Though a staunch advocate of “The Method,” Wallach could never be accused of being too introspective on-stage; in fact, his acting at times was downright ripe — but deliciously so. He made his screen debut in Baby Doll (1956) playing another of Tennessee Williams’ abrasive Latins, in this instance the duplicitous Silva Vaccaro; this performance earned Wallach the British equivalent of the Oscar. He spent the bulk of his screen time indulging in various brands of villainy, usually sporting an exotic accent (e.g., bandit leader Calvera in The Magnificent… read more
Long before earning his B.A. from the University of Texas and his M.A. in Education from C.C.N.Y., Eli Wallach made his first on-stage appearance in a 1930 amateur production. After World War II service and intensive training at New York’s Neighborhood Playhouse, the bumpy-nosed, gravel-voiced Wallach debuted on Broadway in Skydrift (1945). In 1951, he won a Tony award for his portrayal of Alvaro Mangiaco in Tennessee Williams’ The Rose Tattoo. Though a staunch advocate of “The Method,” Wallach could never be accused of being too introspective on-stage; in fact, his acting at times was downright ripe — but deliciously so. He made his screen debut in Baby Doll (1956) playing another of Tennessee Williams’ abrasive Latins, in this instance the duplicitous Silva Vaccaro; this performance earned Wallach the British equivalent of the Oscar. He spent the bulk of his screen time indulging in various brands of villainy, usually sporting an exotic accent (e.g., bandit leader Calvera in The Magnificent Seven 1960). Perhaps his most antisocial onscreen act was the kidnapping of Hayley Mills in The Moon-Spinners (1965). Even when playing someone on “our” side, Wallach usually managed to make his character as prickly as possible: a prime example is Sgt. Craig in The Victors (1963), who manages to be vituperative and insulting even after his face is blown away. Busy on stage, screen, and TV into the 1990s, Wallach has played such unsavory types as a senile, half-blind hitman in Tough Guys (1986) and candy-munching Mafioso Don Altobello in The Godfather III (1990). His television work has included an Emmy-winning performance in the 1967 all-star TV movie The Poppy Is Also a Flower and the continuing role of mob patriarch Vincent Danzig in Our Family Honor. Married since 1948 to actress Anne Jackson, Wallach has appeared on-stage with his wife in such plays as The Typists and the Tiger, Luv, and Next, and co-starred with her in the 1967 comedy film The Tiger Makes Out. Eli Wallach and Anne Jackson are the parents of special effects director Peter Wallach. —allmovie.com
