Alan Smithee (also Allen Smithee) was an official pseudonym used by film directors who wish to disown a project, coined in 1968. Until its use was formally discontinued in 2000, it was the sole pseudonym used by members of the Directors Guild of America (DGA) when a director dissatisfied with the final product proved to the satisfaction of a guild panel that he or she had not been able to exercise creative control over a film. The director was also required by guild rules not to discuss the circumstances leading to the move or even to acknowledge being the actual director.
The Smithee pseudonym was created for use on the film Death of a Gunfighter, released in 1969. During its filming, lead actor Richard Widmark was unhappy with director Robert Totten, and arranged to have him replaced by Don Siegel. Siegel later estimated that Totten had spent 25 days filming, and he had spent 9-10, and each had roughly equal footage in Siegel’s final edit. But he made it clear that Widmark… read more
Alan Smithee (also Allen Smithee) was an official pseudonym used by film directors who wish to disown a project, coined in 1968. Until its use was formally discontinued in 2000, it was the sole pseudonym used by members of the Directors Guild of America (DGA) when a director dissatisfied with the final product proved to the satisfaction of a guild panel that he or she had not been able to exercise creative control over a film. The director was also required by guild rules not to discuss the circumstances leading to the move or even to acknowledge being the actual director.
The Smithee pseudonym was created for use on the film Death of a Gunfighter, released in 1969. During its filming, lead actor Richard Widmark was unhappy with director Robert Totten, and arranged to have him replaced by Don Siegel. Siegel later estimated that Totten had spent 25 days filming, and he had spent 9-10, and each had roughly equal footage in Siegel’s final edit. But he made it clear that Widmark – rather than either director – had effectively been in charge the entire time. When the film was finished, Siegel did not want to take the credit for it, and Totten refused to take credit in his place. The DGA panel hearing the dispute agreed that the film did not represent either director’s creative vision.
The original proposal was to credit the fictional “Al Smith”, but that was deemed too common a name, and in fact was already in use within the film industry. The last name was first changed to “Smithe,” then “Smithee,”which was thought to be distinctive enough to avoid confusion, but without drawing attention to itself. Critics praised the film and its “new” director, with The New York Times commenting that the film was “sharply directed by Allen Smithee who has an adroit facility for scanning faces and extracting sharp background detail,” and Roger Ebert commenting, “Director Allen Smithee, a name I’m not familiar with, allows his story to unfold naturally.”
Over the years the name and its purpose became more widely known. Some directors violated the embargo on discussing their use of the pseudonym. In 1998, the film An Alan Smithee Film: Burn Hollywood Burn was released, in which a man named Alan Smithee (Eric Idle) wishes to disavow a film he has directed, but is unable to do so because the only pseudonym he is permitted to use is his own name. The film was directed by Arthur Hiller, who reported to the DGA that producer Joe Eszterhas had interfered with his creative control, and successfully removed his own name from the film, so “Alan Smithee” was credited instead. The film was a commercial and critical failure, grossing only $45,779 in the US with a budget of about $10 million, and the Rotten Tomatoes web site reports an aggregate critical rating of only 8% positive. But the harsh negative publicity that surrounded the film drew unwanted mainstream attention to the pseudonym. Following this, the DGA retired the name; for the film Supernova (2000) dissatisfied director Walter Hill was instead credited as “Thomas Lee.” —wikipedia
