One of the most beautiful women ever captured on celluloid, French actress Arletty was a stage performer for ten years before her 1930 film debut in Un Chien Qui Rapporte. Somewhat daunted by this movie experience, Arletty withdrew from films for a while to fully train herself in adapting her techniques for the camera. The actress hit her cinematic stride just when the Germans marched into France in 1940; nonetheless, she continued to make films, losing none of her popularity. Although her forte was in portraying down-to-earth women of the world, Arletty is best remembered by film students for her etherial role as a mysterious “femme fatale” beloved by most of the male cast in Les Enfants du Paradis (1944). The film, which celebrated the freedom of the human spirit and which featured several fugitive members of the French Underground, is nowadays regarded as an implicit attack against the Nazi occupation troops. In this context, it is ironic that once the war ended, Arletty would spend… read more
Has a more forthright statement been made by anyone than: "My heart may be French but my ass is International." (She said this when questioned about an affair with a German soldier.) From what I have read about her, she was a no-nonsense broad who was capable of thoughtlessness. I think she lived instinctively, and that leaves you open to both happiness and mistakes. I love her.
I guess you have been watching her on TCM. I wish they had an Arletty day and screen "Hotel du Nord."