One of the angriest, most unconventional, and relentlessly intriguing voices in independent cinema, filmmaker Gregg Araki emerged on the film scene with the subtlety of a gunshot to the head with The Living End in 1992. His story of two HIV-positive gay lovers on a highway rampage quickly established him as one of the key figures in the “New Queer Cinema.” The film reached out to many of society’s more alienated members—gay and straight—who related to its energetic rage and identified with the anger of its principle characters.
Of Asian-American heritage, Araki is a native of Southern California. After attending film school at the University of Southern California—where he was particularly influenced by screwball comedies such as Bringing Up Baby— he made his directorial debut in 1987 with Three Bewildered People in the Night. With a budget of only $5,000 and using a stationary camera, he told the story of a romance between a video artist, her lover… read more
I love this man; from his superficial characters to his very deep ones, from the colourfulness of set design and amazing photography, Greg Araki's work is fantastic and one like no other.