Pedro Costa (born 1959) is a Portuguese film director. He is acclaimed for using his ascetic style to depict the marginalised people in desperate living situations. Many of his films are set in a district of Lisbon inhabited by the socially disadvantaged and shot in a natural and low-key way that makes them resemble documentaries. While studying history at University of Lisbon, Costa switched to film courses at School of Theatre and Cinema (Escola Superior de Teatro e Cinema). After working as an assistant director to several directors such as Jorge Silva Melo and João Botelho, he made a first feature film O Sangue (The Blood) in 1989. He collected the France Culture Award (Foreign Cineaste of the Year) at 2002 Cannes International Film Festival for directing the film No Quarto da Vanda (In Vanda’s Room). Juventude em Marcha (Youth on the March, known as “Colossal Youth” in Anglophone countries, and “En avant, jeunesse” – “Onward, Youth” – in Francophone countries) was selected for… read more
If there is any recent auteur that actually took tremendous amounts of effort to understand and appreciate, it's Pedro Costa. My initial reaction to his films were either apathy or boredom, but by the time I came to Colossal Youth, suddenly his films clicked with me instantly. Perhaps one of the most modern directors as his style of working is unique and intimate with all the possibilities digital has given him.
"You see a sound, an image, an actor, and you say to yourself, ‘Hey, I've never seen that in my life, what a strange thing, this is my world, my society, and I've never seen anything like it. It's so weird.’"