Christian Marclay (b. 11 January 1955, San Rafael, California, USA) is a Swiss-American visual artist and composer.
Marclay’s work explores connections between sound, noise, photography, video, and film. A pioneer of using gramophone records and turntables as musical instruments to create sound collages, Marclay is, in the words of critic Thom Jurek, perhaps the “unwitting inventor of turntablism.” His own use of turntables and records, beginning in the late 1970s, was developed independently of but roughly parallel to hip hop’s use of the instrument.
At the 2011 Venice Biennale, Marclay was recognised as the best artist in the official exhibition, winning the Golden Lion for The Clock, a 24-hour compilation of time-related scenes from movies that debuted at London’s White Cube gallery in 2010. Newsweek responded by naming Marclay one of the ten most important artists of today. Accepting the Golden Lion, Marclay invoked Andy Warhol, thanking the jury “for giving The Clock… read more