A loose remake of 12 Angry Men, set in a Russian school. 12 jurors are struggling to decide the fate of a Chechen teenager who allegedly killed his Russian stepfather. The stepfather took the boy to live with him in Moscow, during Chechnya war, in which the teenager lost his parents. The jurors: a racist taxi-driver, a suspicious doctor, a vacillating TV producer, a Holocaust survivor, a flamboyant musician, a cemetery manager, and others represent the fragmented society of modern day Russia. A stray bird (a touch of New Age cinema) is flying above the jurors’ heads, alluding to tolerance. — IMDb
Born to a family of celebrated painters and poets, Muscovite Nikita Mikhalkov is the younger brother of director Andrei Konchalovsky. An actor in theater and films since the age of 16 (including his brother’s Dvoryanskoye Gnezdo and Siberiade), Mikhalkov also studied cinema at Moscow’s State Film School in the 1960s. He debuted as a director in 1970 with his diploma film A Quiet Day at the End of the War. He then returned to acting for a few years, finally unveiling his first full-length feature, Svoy Sredi Chuzhikh, in 1973. An avowed idolater of playwright Anton Chekhov, Mikhalkov adapted Chekhov’s very first play, Platonov, into the autumnal dramatic film An Unfinished Piece for Mechanical Piano (1977). Mikhalkov won several awards for this effort, and would do so again for his subsequent films Oblomov (1980) and the Italian-produced Oci Ciornie (Dark Eyes, 1987). In 1995, a breathless Mikhalkov, in the company of his beaming… read more
Brilliant! Unexpected surprises are all around the movie and all cultural elements made this movie such an extraordinary remake ever made... Philosophical addings were speechless! Can't remember how I watched last minutes.
Great great actors and excellent mise-en-scène (the long shots for example). I didn't like as much as Sydney Lumet's version though which really was a "huis clos". The scenes - in Mikhalkov's version - with the boy dancing etc, were not really that important I think and the small special effects (the glow around the object) were a bit kitsch... but despite those things this was enjoyable!
I loved it, even the seemingly out of place stories. The original had far more annoying (and thus effective) antagonist characters, but I can relate to Russian social matters better than American ones. 12 also has style, very good editing, and those Stanislavskian Russian actors who really get to you. A provocative snapshot of a post-communist country.
Based on the classic “12 Angry Men”, by Sidney Lumet, which is pretty well known in Russia.
Mikhalkov, obviously, did not have Lumet’s financial limitations, which in the end served the latter… read review
12 (Nikita Mikhalkov, 2007)
Mikhalkov’s version goes deeper in to the issues addressed in John Ford’s classic 12 Angry Men. Mikhalkov allows us to get into the minds of everyone involved in the… read review