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2046

Hong Kong, China, France, Germany

2004

129 Min
Color, Black and White
2.35:1
Cantonese, Mandarin, Japanese
  • Currently 3.9/5 Stars.
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DIR Wong Kar-wai

EXEC Chan Ye-cheng, Ren Zhong-lun

PROD Wong Kar-wai, Eric Heumann, Amedeo Pagani

SCR Wong Kar-wai

DP Christopher Doyle, Kwan Pung-Leung

CAST Tony Leung Chiu Wai, Gong Li, Faye Wong, Zhang Ziyi, Takuya Kimura, Carina Lau, Chang Chen, Dong Jie, Maggie Cheung, Thongchai McIntyre, Sum Wang, Ping Lam Siu

ED William Chang

PROD DES William Chang

MUSIC Shigeru Umebayashi

SOUND Tu Du-Che, Michael Baird

Cannes (In Competition), London, Rotterdam (Kings & Aces), Tribeca

Synopsis

From acclaimed director Wong Kar-Wai comes the story of a lonely writer imagines writing a sci-fi novel set in the future novel while actually writing about the past. In the novel, there is a mysterious train that takes its passengers into the year 2046, and all of it passengers have the same intention: to recapture their lost memories. It was said among the passengers that in 2046, nothing ever changes. Nobody knew for sure if it was true, since nobody who went there came back, except for one person, who went there and choose to leave. Because he wanted to change. This is his story…

Director

Original

Wong Kar-wai

Born in Shanghai, he moved to Hong Kong with his parents at the age of five. Coming from the Mainland and speaking only Mandarin and Shanghainese, he had a difficult period of adjustment to Cantonese speaking Hong Kong, spending hours in movie theatres with his mother. He made his directing debut in 1988 with As Tears Go By, produced by Alan Tang. It was a crime melodrama of the kind then hugely popular, and with heavy borrowings from Martin Scorsese’s Mean Streets (1974), but already displayed one of his principal trademarks in its atmospheric and sometimes expressionistic color palette. It is his only box office hit to date. Wong went on to direct several more feature films in the 1990s, among these were Chungking Express (1994), Fallen Angels (1995), Ashes of Time (1994). His first major international recognition was at the 1997 Cannes Film Festival where he won the Best Director prize for Happy Together (1997). The filming of In the Mood for Love (2000) had to be shifted from Beijing… read more

Wall

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Joks

9Jan12

This is the film that sold me on WKW, strangely enough. It has all the same moody, sensual visuals as usual, but this time with more story. perhaps it's overstuffed but whatever, i liked it.

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GiulioM

22Dec11

This is the first WKW that I didn't like. I have to admit that I delayed the viewing for almost eight months: we're talking about a suggestive and visually stunning opera, but the point is something's missing. I just don't know what. I'm not disappointed, I'm just very very sad.

Duncan likes this

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Manny Lage

5Dec11

Introduction to the film by the wonderful Chris Sieving: http://www.youtube.com/watch?v=dYINdmSyhRA

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apexa

25Nov11

Made me realize what WKW was saying when he talked about how deceiving Leung's character was in "In the Mood For Love," which continues here. More than anything I felt like this was a revealing of how he really was as a character and represented more of a hedonistic darkness to his character.

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Fans

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Articles

Our roundup of essays and articles on this film.
W184

Wong Kar-wai and Cannes

By Notebook on April 19, 2010

While we're looking forward to this year's Cannes Film Festival, indieWIRE editor Eugene Hernandez has been looking back at past editions

read article

Lists

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Reviews

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Wong Kar Wai's Sunglasses

By Hunter Duesing on January 29, 2011

There is a scene in 2046 where Tony Leung, reprising his role from   read review

Untitled

By Dean Leonidi​k Ryder on October 4, 2009

The look and sound of this film are unashamedly stunning. The resonating character(s) from “In the Mood for Love” provide a confusing yet appealing backstory at the beginning of the film.

If…  read review

Untitled

By Iza Larize on February 16, 2009

I just love how WKW tells a story. Christopher Doyle’s cinematography is very nice. I love the music WKW use in his films (especially Connie Francis’ “Siboney” in “2046”).

This film is both…  read review

Untitled

By Maicol Andrés Ordoñez on December 23, 2008

I have no idea what anyone means when they say there is no plot. It’s about a man trying to move on from the past and yet cannot help romanticizing it through his fiction and by strangely looking to…  read review

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