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Displaying wall posts 1 - 30 of 122 in total
Picture of Midnight Cowboy

Midnight Cowboy

19May13

I just saw the final scene in this film and remembered how much I love him and how much he shaped my personality and shaped my love to cinema. A masterpiece

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charles f stewart

5May13

It's amazing how Fellini creates these huge dreamscapes in the mind of Guido Anselmi and cuts between Guido's fantasies and his reality. It's mind-blowingly beautiful.

raulcld likes this

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Greg S.

1May13

Barbara Steele is my favorite.

Igor Grahovac likes this

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Federico Di Folco

11Apr13

Meraviglioso.Otto e mezzo è un circo, libero dagli schemi narrativi tradizionali, le cui parti scivolano una nell'altra con una fluidità straordinaria,non stecca mai,tanto la sua partitura è complessa quanto il suo ritmo è perfetto.Fotografia sublime,carrellate che diventano estasi visiva, colonna sonora perfetta,con in più un Mastroianni monumentale.Fellini esalta tutto ciò e lo rende storia del cinema.5*

universe. likes this

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I hate usernames

6Apr13

a good film but not my taste.

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Muffinhead1985

25Mar13

A love letter to film making. It's Freudian at it's essence. On the surface it's confusing but at some deeper level it makes complete and utter sense. Some of the scenes are unlike anything made before,at the time or since it's creation. The things which alienate many in the audience are of course what makes it unique.

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MS1915

2Mar13

The plot perplexed me beyond belief, but fortunately I was able to appreciate the beautiful craftsmanship that it is, art.

Baby Rocco likes this

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Murky Juan

24Feb13

I dreamt that I watched a movie about a guy who was making a dream

Picture of Kasey

Kasey

7Feb13

The more I think about it, the more I love it.

Picture of Stu Witmer

Stu Witmer

10Jan13

If you're feeling jaded and that movies are just a lot of populist, commercial time wasters, watch this and remember that movies can be a pure and beautiful art form all their own. This is film making at its very best. A perfect film. It could be nothing else.

rado likes this

Picture of João Pedro Tomás
Picture of Ka Wa, Lok

Ka Wa, Lok

30Oct12

The dream that never ends...Timeless masterpiece

Picture of woperchild

woperchild

10Oct12

This is one of the best movies ever made in my opinion. Fellini is a master, and this is him at his best. The film is worth watching just to look at the exceptionally beautiful women. The dream and fantasy scenes may be the best I have ever seen.

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Dukkha-post

4Aug12

From now on, my favorite movie EVER! It's ego itself. It's the occidental world living the dream that they believe they had had created. Is human's reality outside spirituality.

Picture of Domenico Mimmo Lettiero

Domenico Mimmo Lettiero

1Aug12

the BEST movie of all time

Picture of Jakob Larsson

Jakob Larsson

30Jul12

Fellini at his best, an absolute tornado of cinema.

Scorpio Velvet likes this

Picture of ramosbarajas

ramosbarajas

3Jul12

From the beginning it's aloof and stylistic. It starts in the middle of the action, making it a bit confusing, but it's enjoyable. The best scenes where the memories and fantasies. The Asa nisi masa scene was so sweet and nostalgic that I can relate. The cinematography is amazing, and has the best use of black and white in a B&W film. It's a technical masterpiece, even if I thought it was too long at times.

Picture of David LaGaccia

David LaGaccia

2Jul12

This movie is about the pressures of film making, but believe me, it can relate to any art form that has a lot of people and money involved: photography, painting, writing, etc.. where you have a product to finish and live up to, hands to shake, questions to answer, phone calls to make, deadlines to meet, people to report to, relationships and friendships to maintain, all the while trying to create something true.

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katheerine

24Jun12

“Enough of symbolism and these escapist themes of purity and innocence". A masterpiece.

Mademoiselle likes this

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Sneerwell

22Jun12

Just adore the ending

Tellechea likes this

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(☯)

10Jun12

The entire picture's masterful, but my eyes were dazzled most by the cinematography and amazingly detailed mise-en-scène.

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bennievermeer

30May12

Early on in the film, the director's script is criticized by a writer who says: "From the start, the action reveals a poverty of poetic inspiration" -- which is just the opposite of what you could say of '8½'. www.brnrd.net/blog/archive/2005/06/05/the-beautiful-confusion

Picture of Erick

Erick

29Apr12

I've just finished the film for the first time and am still a bit confused. Regardless, it was beautifully shot and the message was a highly comforting one amidst the highly depressing art cinema that is being made today. Definitely plan on watching it a second time and even contemplating buying a copy. It's just one of those films you want to own.

Wesley Emblidge likes this

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G.W. Johansson

20Apr12

Impeccably shot.

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Scottie Ferguson

18Apr12

Essentially, I see this as a companion piece to La Dolce Vita. Both are about a man (played by Marcello Mastroianni) who has all the love in the world but is incapable of giving it back. But while La Dolce Vita serves as social commentary, 8 1/2 is about the search for artistic fulfillment. Though I enjoyed it, I'll still take Fellini's epic vision of nighttime Rome over his surreal film-about-a-film any day.

Picture of Jonathan De La Rosa

Jonathan De La Rosa

11Apr12

The epic chronicles of the inner life of the world's most lovable scumbag. You don't normally hear (or say) this about thematically dense art-house cinema, but this movie is just *fun.* Best mid-life crisis ever. Although I think I need to watch it again so I can absorb it subtextually. Lord knows I was already tired and beat when I first watched it.

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B_R_Wilhelm

12Mar12

Fellini is the true maestro of cinema and here is his towering achievement of sight and sound.

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tiagovitoria

22Feb12

Is an example of how movie should work the subconscious of human beings, their frustrations and adversities. The pace of the film is brilliant as well as lighting that is working so oddly well by Gianni Di Venanzo. The way Fellini moves the camera through the voices of people who are constantly bugging and yelling with opinions and recommendations is a unique piece of true film making.

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sfcugura

5Feb12

Must-watch-at-least-two-times kind of movie. I've mostly enjoyed how Fellini played with shadows and the manner in which he had emphasized emotions and his/hers/character's state of mind.

  • Picture of TakaAwesome

    TakaAwesome

    2Apr12

    Was about to post something similar - took a second viewing for me to really appreciate this film. I found it overwhelming and at times confounding the first time through.

Picture of Howard Orr

Howard Orr

29Jan12

The most enduring by far of Fellini's films, because it turns his usually frivolous "la vita e bella" view of the world into an inward questioning of the deeper responsibilities of a film director. Films like this only really work when the insecurities of an artist are laid out in almost absurd candour, and Fellini's own outpuring of neuroses still make Otto e Mezzo seem vital.