After subletting his upstairs London flat to a mentally deficient young man named Timothy Evans and his pregnant wife Beryl, John Christie announces to the impoverished Evans that he is an accomplished abortionist and agrees to perform the illegal operation on Beryl in order to help them out of their jam. Aroused by the sight of her naked and unconscious form, however, Christie rapes and strangles her instead, then convinces the half-witted Evans that although she died from surgery, the police will probably believe Evans guilty of foul play and charge him with murder. Evans flees but is caught, tried, convicted of murder, and hanged. Based on the true story of British mass-murderer John Reginald Christie, who drugged, raped, and strangled eight women (one of whom was his wife) between 1940 and 1953, hiding their bodies in the garden as well as in a large cupboard, which he then covered up with wallpaper inside his home. A shy and sickly man (he was gassed during World War I), Christie could also be quite persuasive, which explains how he was able to lure many of his victims to his murderous lair at 10 Rillington Place, an address that eventually became as well-known to Londoners as 10 Downing Street. —IMDb
The son of famed animator Max Fleischer (Popeye, Betty Boop et. al.), Richard O. Fleischer was a psychology student at Brown University when he dropped out in favor of the Yale Drama Department. At age 21, Fleischer organized a campus theatrical troupe called the Arena Players. In 1942, he went to work for RKO-Pathe in New York, editing the company’s weekly newsreels before producing and directing his own short-subject projects, including the March of Time-like This is America and a series of gagged-up silent-film vignettes titled Flicker Flashbacks. In 1946, he headed to Hollywood, there to direct feature films for Pathe’s parent studio, RKO Radio; his last short-subject effort was the Oscar-winning Design for Death (1948). At first limited to “B” pictures, Fleischer gained a loyal critical following with such topnotch films as Follow Me Quietly (1949) and The Narrow Margin (1952).
Perhaps sensing that RKO was on its last legs, Fleischer moved on to MGM, then to Walt Disney… read more
La película no es más que la recreación de unos acontecimientos escabrosos de crónica roja. Su dramaturgia no trasciende la ilustración de los hechos, no los explora ni los dramatiza. A su favor, podemos destacar una puesta en escena efectiva y una interpretación notable de Richard Attenborough.
Acting deserves a special mention, but everything was so well calculated. Just brilliant.
Surprisingly good film. John Hurt plays his sniveling, selfish character PERFECTLY, capturing every pathetic attribute masterfully. Attenborrough, just as deftly, portrays the introverted, yet cunning, Christie in all his narcissistic ways - neither character is especially likable in any way. Fleischer, despite a very inconsistent career, had this ability to churn out occasional GREAT films. This is one of them.
Philip Seymour Hoffman as Capote and Richard Attenborough as Christie. Similarities, eh… but I must say Attenborough was great in this film. Jon Hurt, another great performance. Crime/thriller fans… read review