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42nd Street

United States

1933

89 Min
Black and White
1.37:1
English
  • Currently 3.8/5 Stars.
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DIR Lloyd Bacon

PROD Darryl F. Zanuck

SCR Rian James, James Seymour

DP Sol Polito

CAST Warner Baxter, Bebe Daniels, Ruby Keeler, Ginger Rogers, Guy Kibbee, Una Merkel

ED Thomas Pratt, Frank Ware

AFI FEST (Guest Artistic Director Bernardo Bertolucci)

Synopsis

The source from which all modern musicals flow: An ailing Broadway director returns to produce one final show, but his leading lady is injured and must be replaced by a novice. Call it dated, but it’s aged to perfection, and the final twenty minute sequence will leave you tapping your toes, with a smile on your face and a song in your heart. Movies – never mind musicals – just don’t get any better than this. —IMDb

Director

Original

Lloyd Bacon

Lloyd Francis Bacon (December 4, 1889 – November 15, 1955) was a screen, stage, and vaudeville actor and film director. Bacon was born in San Jose California, the son of actor Frank Bacon, later the co-author and star of the long running Broadway show ‘Lightnin’ (1918), and Jennie (Weidman) Bacon. He was not related to actor Irving Bacon whom he directed in a number of his films.

Bacon started in films with Charlie Chaplin and Bronco Billy Anderson and appeared in more than 40 total. As an actor he is best known for supporting Chaplin in such films as 1915’s The Tramp, The Champion and 1917’s Easy Street.

He also directed over a hundred films between 1920 and 1955. He is best known as director of such classics as 1933’s 42nd Street, 1937’s Ever Since Eve from a screenplay by the playwright Lawrence Riley et al., 1938’s A Slight Case of Murder with Edward G. Robinson, 1939’s Invisible Stripes with George Raft and Humphrey Bogart, 1939’s The Oklahoma Kid with James Cagney… read more

Wall

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traag-1

21Apr13

THE COSTUMES!

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Electrus Amadeus Magnus

14Dec12

Another backstage story. Final show and Busby Berkeley's choreography are amazing.

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MarcH

17Oct11

Everything you need from a Warner Bros movie: gold diggers, gangsters, chorus girls, art deco, busby berkeley numbers, social conscience and plenty of cynicism. While these aren't the best or largest Busby Berkeley numbers by any means, this is easily the best film he ever worked on.

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oldfilmsflicker

15Aug11

"You're going out a youngster, but you've *got* to come back a star!"

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W184

Movie Poster of the Week: “Lady for a Day” and the Posters of 1933

By Adrian Curry on February 16, 2013

A look at the posters for “Hollywood’s Naughtiest, Bawdiest Year.”

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