Watch unlimited films online for $6.99.
Try MUBI for FREE.
 

Synopsis

In Frankenheimer’s adaptation from an Elmore Leonard novel, a crime is only as real as the images that prove it happened. A Los Angeles metallurgist (Roy Scheider, all business) and his political-candidate wife (keyed-up Ann-Margret) turn the tables on a trio of camera-wielding extortionists. Against a mostly nocturnal L.A. backdrop, threats are exchanged, bullets are fired, backs are stabbed, and the suspense builds as relentlessly as Gary Chang’s ultra-80s score. –Cannon Films Canon

Director

Original

John Frankenheimer

Born in New York and raised in Queens, John Frankenheimer wanted to become a professional tennis player. He loved movies and his favorite actor was Robert Mitchum. He decided he wanted to be an actor but then he applied for and was accepted in the Motion Picture Squadron of the Air Force where he realized his natural talent to handle a camera. After his military discharge he began a TV career in 1953 convincing CBS to hire him as an assistant director, which consisted mainly working as a cameraman at that time. He eventually started to direct the show he was working on as an assistant director. Frankenheimer still didn’t want to direct films. He liked to direct live television, and he would have continued to do it if the profession itself hadn’t cease to exist. He first turned to the big screen with The Young Stranger (1957) which he hated to do because he thought he didn’t understand movies and wasn’t used to work with only one camera. Disappointed with his first feature film experience… read more

Wall

Displaying 3 wall posts.
Picture of Stephen Campbell

Stephen Campbell

24Jan11

Pretty Goood Elmore Leonard fiilm and one of the most underated films of the period only the score lets it down.

Picture of Christopher Smith

Christopher Smith

17Nov10

Solid 80s crime thriller is a decent Elmore Leonard adaptation (Leonard co-wrote the screenplay). Strong performances by a capable cast and John Frankenheimer's sure-handed direction get it through a few cheesy and dated elements (including an irritating synth score by Gary Chang). Nothing extraordinary, but a satisfying genre effort.

Drewcifer

27Feb10

Superlative trash.

Related Films