After his wife dies, 55-year-old businessman Philip Emmenthal, at the prompting of his playboy son Storey, populates his Geneva villa with eight and a half concubines. Three are from Kyoto, where Storey manages Pachinco palaces. Each has a distinctive personality: a nun, a child bearer, a gambler, a student of Kabuki, a horsewoman with a pet pig, a maid. Philip throws off his strait-laced and repressed attitudes, immersing himself in pleasure. After about a year, the women begin to assert their own power. Side adventures pre-figure the household’s breakup, and the women depart in one way or another, one at at time. Philip’s fate is in the hands of Palmira, his favorite. –IMDb
An avant-gardist who earned surprising access to the mainstream, Peter Greenaway is among the most ambitious and controversial filmmakers of his era. Trained as a painter and heavily influenced by theories of structural linguistics, ethnography, and philosophy, Greenaway’s films traversed often unprecedented ground, consistently exploring the boundaries of the medium by rejecting formal narrative structures in favor of awe-striking imagery, shifting meanings, and mercurial emotional tension; fascinated by formal symmetries and parallels, his material displayed an almost obsessive interest in list-making and cataloguing, earning equal notoriety for its provocative eroticism as well as its almost self-conscious pretentiousness. Born April 5, 1942, in Newport, Wales, Greenaway was raised primarily in nearby Chingford. After deciding at the age of 12 to become a painter, he entered the Walthamstow College of Art. By 1965, Greenaway had begun working as a film editor for the Central Office… read more
What do Japanese casinos and Swiss mansions have in common? They're both run by the guests, whether the owners know this or not. How is the death of a woman different from that of a man? She can be more easily replaced sexually by her surviving husband. What does all this mean? That money is heterosexual, for one thing. And that queerness is heterosexual too. To protect the money, naturally.