Experimental pseudo-documentary from the fevered mind of Guy Maddin. His most personal and possibly most accessible film to date – and though it does have its surreal moments, it doesn’t quite reach the bizarre absurdist heights of some of his other films. What was most fascinating – aside from Maddin’s patented visual imagery – was his blending of history and fiction, and trying to decipher exactly what is bizarre fact and what is bizarre imagination (often difficult to tell).