In a bare, undecorated studio, a young woman (Bettie de Jong) in a cloth leotard enacts a simple series of dance movements, starting and ending in a reclining position on the wood floor, and in between gracefully flowing through an elegant, slow-motion set of pirouettes and fluid turns. She repeats this dance nine times, and each time Harris varies his filming methods to capture her movements in subtly different ways. —http://seul-le-cinema.blogspot.com
Hilary Harris (December 9, 1929 — October 26, 1999) was a documentary filmmaker, one of the pioneers of time-lapse photography. The documentary, Seawards the Great Ships, directed by Harris, won the Academy Award for best short subject in 1962. —Wikipedia
Thanks to Cani, this short was saved from having a mediocre rate; I immediately appreciate both camera's movement and music, but i was expecting more form the title which, together with the beginnig, must have biased me a bit.
At first I focused on following her movements because I was reminded of a ballerina music box, but that was a mistake. Then I made the music a conductor of what my eyes were seeing, but that was also a mistake. Then I began to follow the camera's lead and realized that this is filming at its most immaculate. This is what the eyes could have never seen otherwise.