In this rich, complex drama, the threat of terrorism serves as a backdrop to an examination of dysfunctional family
relationships. Fausto Rossi portrays neglected teenager Emilio, whose father Dario (Jean-Louis Trintignant), a
university professor, introduces him to his student, Giulia (Laura Morante) and her lover, Sandro (Vanni Corbellini).
Emilio loves photography, and sets about taking pictures of the pair, soon coming to believe that Giulia and his father
are lovers. Because Dario and his son are respectful of each other’s privacy to a fault, Emilio can’t ask, so he starts
to spy. When he finds Sandro dead in the street one day, the apparent victim of a Red Brigade terrorist shooting, Emilio
decides to keep an even closer eye on his father. It is never completely confirmed whether Dario and Giulia were really
having an affair or whether Dario was involved in terrorism, because these issues are not necessarily director Gianni
Amelio’s concern. Amelio is concerned with perception, and in this fascinating film he examines his young protagonist’s
multi-faceted interpretations of an elusive truth, revealing that such a thing may not even exist. This is a powerful,
absorbing film for thoughtful viewers in search of a challenge. —Robert Firschin
Gianni Amelio (born 20 January 1945) is an Italian film director. Amelio was born in San Pietro di Magisano, province of Catanzaro, Calabria. His father moved to Argentina soon after his birth. He spent his youth and adolescence with his mother and his grandmother. The absence of a paternal figures will be a constant in Amelio’s future works.
During his university studies of philosophy in Messina, Amelio got interested in cinema, writing as film critic for a local magazine. In 1965 he moved to Rome, where he worked as operator and assistant director for figures such as Liliana Cavani and Vittorio De Seta. He also worked for television, directing documentaries and advertisements.
Amelio’s first important work is the TV film La città del sole, directed in 1973 for RAI TV and inspired to Tommaso Campanella’s work. This was followed by Bertolucci secondo il cinema (1976) a documentary about 1900 shooting, and the thriller Effetti speciali. Two years later he directed the mystery… read more