Anthony John is an actor whose life is strongly influenced by the characters he plays. When he’s playing comedy, he’s the most enjoyable person in the world, but when he’s playing drama, it’s terrible to be around him. That’s the reason why his wife Brita divorced him; although she still loves him and works with him, she couldn’t stand living with him anymore. So when Anthony accepts to play Othello, he devotes himself entirely to the part, but it soon overwhelms him and with each day his mind gets filled more and more with Othello’s murderous jealousy. –IMDb
George Cukor (July 7, 1899 – January 24, 1983) was an Academy Award-winning American film director who mainly concentrated on comedies and literary adaptations. His career flourished at RKO and later MGM, where he directed a string of impressive films including What Price Hollywood? (1932), A Bill of Divorcement (1932), Dinner at Eight (1933), Little Women (1933), David Copperfield (1935), Romeo and Juliet (1936), and Camille (1937).
His career suffered a temporary setback when he was replaced as the director of Gone with the Wind (1939), but he continued to direct classic films with The Philadelphia Story (1940), Adam’s Rib (1949), Born Yesterday (1950) and A Star Is Born (1954). His last major success was My Fair Lady (1964), but he worked into the 1980s.
He was born George Dewey Cukor on the Lower East Side of New York City, the younger child and only son of Hungarian Jewish immigrants Victor, an assistant district attorney, and Helen Ilona (née Gross) Cukor. His parents… read more
In its reification of an actor's torments it is a self-indulgent film, not least because it doesn't explicate his experiences in a clear psychological background. But Coleman's performance here is magnificent; in his unswerving sense of the sensitivity for subtelty in bodily and facial gestures that only cinema can detect, I have the heretical feeling he is really one of the greatest actors in all of cinema.