The scene is a railroad track on the side of a steep mountain, with a tunnel in the background, toward which a train is running at a high rate of speed. At this instant the audience is appalled at the sight of a second train rushing out of the tunnel. Both trains are on the same track and traveling toward each other at a high rate of speed. They collide. Cars and engines are smashed into fragments and thrown down the steep incline. –IMDb
Walter Robert Booth (12 July 1869–1938) was a British magician and early pioneer of British film working first for Robert W. Paul and then Charles Urban mostly on “trick” films, where he pioneered the use of hand-drawing techniques that lead to the first British animated film, “The Hand of the Artist” (1906).
Booth, the son of a porcelain painter, followed his father with an apprentiship at the Royal Worcester Porcelain factory in 1882, where he worked until 1890. He had been a keen amateur magician and subsequently he joined the magic company of John Nevil Maskelyne and David Devant at the Egyptian Hall in Piccadilly, London, where he is presumed to have first encountered filmmaker Robert W. Paul, who exhibited some of his earliest films there in 1896.
Booth went to work for Paul first devising and then later directing short trick films, beginning with “The Miser’s Doom” and “Upside Down; or, the Human Flies” (both 1899). Many of their early collaborations, such as “Hindoo… read more