Simin wants to leave Iran with her husband Nader and daughter Termeh. She has already made all the necessary arrangements. Nader, however, is having second thoughts. He is worried about leaving behind his father, who is suffering from Alzheimer’s. For this reason he decides to call off the trip altogether.
As a result of Nader’s decision, Simin decides to sue for divorce at the family court. When her request is rejected, however, she refuses to live with Nader, moving instead into her parents’ home. Termeh decides to stay with her father, hoping that her mother will soon come back to live with them.
Nader finds it difficult to cope with the new situation – not least because it turns out to be so time-consuming. And so he hires a young woman named Razieh to look after his father. This young woman is pregnant and has accepted the job without her husband’s knowledge. One day, Nader arrives home to find that not only has his father been left alone, he has also been tied to a table! When Razieh returns, a blazing row ensues, the tragic consequences of which not only shatter Nader’s life, but also the image his daughter Termeh has of her father. –Berlinale
Asghar Farhadi (Persian: اصغر فرهادی Persian pronunciation: [æsɣæɾ fæɾhɒːdiː]) is an Iranian film director and screenwriter. For his work as director, he has received one Golden Globe Award and one Academy Award for Best Foreign Language Film.
Farhadi was born in Homayoonshahr (Khomeynishahr), Province of Isfahan. He is a graduate of Theatre, with a BA in Dramatic Arts and MA in Stage Direction from Tehran University and Tarbiat Modarres University, respectively. Farhadi made short 8mm and 16mm films in Isfahan branch of Iranian Young Cinema Society before moving on to writing plays and screenplays for IRIB. He also directed such TV series as A Tale of a City and co-wrote the screenplay of Ebrahim Hatamikia’s Low Heights. Dancing in the Dust was his feature film debut, which he followed with A Beautiful City.
His third film, Fireworks Wednesday won the Gold Hugo at the 2006 Chicago International Film Festival. His fourth film, About Elly won the Silver Bear for Best Director… read more
I appreciated how the complexities to the situation and the characters. Noone is such a good or bad person that you can take sides in these legal matters. A deceptable simple story of conflict with natural, low key performances.
Also: David Cronenberg’s TV series. Trailer for the restored Napoleon.
The full list of nominees and winners of this year’s Academy Awards.
Also: Adam Curtis on Dead of Night, life, the universe and everything. And more.
Also: Abel Ferrara intends to direct Gérard Depardieu as Dominique Strauss-Kahn and Isabelle Adjani as Anne Sinclair.
Tsui Hark’s Flying Swords of Dragon Gate leads with seven, followed by Flowers of War and Seediq Bale, with six each.
Also: The latest indefinite word on whether or not David Fincher will make The Girl Who Played with Fire.
One of the best films of 2011 begins its tour of the US.
Featuring an interview with Ai Weiwei and more. Also: The Gold Rush and Last Year at Marienbad in New York.
According to the Passiondex™, the real winner this year was made 20 years ago.
Also: A fresh round of essays at one of my own favorite sites of the year, The Chiseler.
Runner-Up: The Tree of Life, for which Terrence Malick wins Best Director.
Best Film, Director and Use of Music. The Tree of Life scores Cinematography and, at least in part, Breakthrough Performer.
“Our film of 2011 is The Tree of Life (by a country mile).”
Far more than “a screenwriter’s film,” A Separation is also “a fine account of Iran’s predicament.”
A look at the posters for the films in the main slate of this year’s New York Film Festival.
Honor is everything in the Iran of Asghar Farhadi's Nader and Simon, a Separation and the Albania of Joshua Marston's The Forgiveness of
What a night for Asghar Farhadi's Nader and Simin, a Separation. Not only has the International Jury of this year's Berlinale, presided over
I hesitated in posting this review onto Mubi because I hold the unpopular opinion of it. Forgive me.
A Separation is one of the more expertly written, convincingly acted, and emotionally observant films in recent years. It is simultaneously both a taut high-wire act of suspenseful divergence… read review
One of the best films of 2011, Asghar Farhadi’s “A Separation” is an important film everyone should try to see. The film juggles many threads of thought, and choices that may or may not be morally… read review
Le film de Asghar Farhadi est d’une incroyable puissance narrative. En nous projetant dans ce quasi huit-clos entre 2 familles de l’Iran d’aujourd’hui, la réalisatrice parvient, via des personnages… read review