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A Star Athlete

Hanagata senshu

Japan

1937

64 Min
Black and White
1.37:1
Japanese
  • Currently 2.5/5 Stars.
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DIR Hiroshi Shimizu

SCR Masao Arata, Tobei Kujiraya

DP Suketaro Inokai

CAST Shûji Sano, Shin'ichi Himori, Toshiaki Konoe, Chishû Ryû, Kenji Oyama, Yoshiko Tsubouchi, Bakudankozo, Fujiyo Nagafune

Synopsis

Hiroshi Shimizu’s government-pressured, militarism-era film A Star Athlete is a breezy, refreshingly lighthearted, and subtly subversive slice-of-life comedy that centers on an all-day student march in formation and armed combat drills through the rural countryside for military training exercises. Shimizu demonstrates his deceptively facile adeptness and virtuoso camerawork through a series of extraordinarily choreographed plan sequence shots: a track-and-field race around the campus track between the school’s start athlete Seki (Shuji Sano) and his constantly spurring – and sparring – team mate (Chishu Ryu); an extended dolly sequence of the students’ march as bemused villagers and flirtatious, love-struck young women alternately respectfully step aside, playfully trail, obliviously obstruct, and amorously chase the dashing students in uniform; a mock battlefield charge assault through muddy fields as a guilt-ridden motley crew of travelers on the road scramble to flee from the students in a mistaken belief of being chased in retribution for their petty transgressions during their brief stay in the village. —filmref.com

Director

Original

Hiroshi Shimizu

Hiroshi Shimizu was born in Shizuoka Prefecture on March 28, 1903 and passed away in Kyoto on June 23, 1966. He dropped out of his studies at Hokkaido University in order to join Shochiku’s Kamata studio as an assistant director 1922. Promoted to the director by the age of 21 with his first film, Toge no Kanata (Beyond the Pass) (1924), he enjoyed a reputation of being a skillful director, particularly for melodramas and comedies. A “trial marriage” to the actress Kinuyo Tanaka in 1927 ended in divorce two years later. Shimizu directed 140 films for Shochiku up to and throughout World War 2.

After the war he established the Hachinosu Eiga studio in collaboration with several colleagues. This allowed him to work independently of the studios, and films such as Children of the Beehive (1948), where he employed homeless children he had taken in and raised himself, resulted. He also directed films for Shin-Toho and Daiei, the last of which, Hana no Omokage (Image… read more

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