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A Talking Picture

Um Filme Falado

France, Italy, Portugal

2003

96 Min
Color
1.85:1
English, French, Greek, Italian, Portuguese
  • Currently 3.7/5 Stars.
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DIR Manoel de Oliveira

PROD Paulo Branco

SCR Manoel de Oliveira

DP Emmanuel Machuel

CAST Leonor Silveira, Filipa de Almeida, John Malkovich, Catherine Deneuve, Stefania Sandrelli, Irene Papas, Ricardo Trêpa, David Cardosa

ED Valérie Loiseleux

PROD DES Zé Branco

Venice (Competition): SIGNIS Award, Toronto

Director

Original

Manoel de Oliveira

Manoel Cândido Pinto de Oliveira, GCSE (Portuguese pronunciation: [mɐnuˈɛɫ doliˈvɐjɾɐ]; born December 11, 1908) is a Portuguese film director born in Cedofeita, Porto. He is currently the oldest active film director in the world.

Manoel de Oliveira was born in Porto, Portugal on December 11, 1908, to Francisco José de Oliveira and Cândida Ferreira Pinto. His family were wealthy industrialists.

Oliveira attended school in Galicia, Spain and his goal as a teenager was to become an actor. He enrolled in Italian film-maker Rino Lupo’s acting school at age 20, but later changed his mind when he saw Walther Ruttmann’s documentary Berlin: Symphony of a City. This prompted him to direct his first film, also a documentary, titled Douro, Faina Fluvial (1931).

He also has the distinction of having acted in the second Portuguese sound film, A Canção de Lisboa (1933).

His first feature film came much later, in 1942. Aniki-Bóbó, a portrait of Oporto’s street children… read more

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Zachary George Najarian-Najafi

9Apr13

At first I thought to myself this is nothing but a travelogue, but Oliveira made me eat my words. This is one of those movies that does not announce its brilliance outright, but rather seeps into you. Slowly I found myself hypnotized, and by the middle of the first dinner scene I was enveloped within this world. It's so joyous and full of life, and just when you think you know where it's going, Oliveira pulls the carpet out from underneath you and just shatters everything. Beautiful.

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Michael Harbour

16Jan12

A tepid, awkward travelogue interrupted by tepid, awkward dinner-table philosophy and put to rest by an awkward ending apparently intended to imbue the film with meaning through tragedy. The only success in the film was capturing John Malkovich's expression at the end of the movie and holding that one successful moment frozen through the credits.

xrystyna likes this

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Dimitris Psachos

22Aug11

A flawed ending in an otherwise stellar film, perhaps the most eloquent and detailed de Oliveira film of the naughties.

Picture of Paddy Misfit

Paddy Misfit

26Jun11

Everybody should have a mother like this

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Com o perdão da palavra

By chicofi​reman on October 29, 2010

Com o perdão da palavra, o mundo anda mesmo por caminhos bem tortuosos. É o que diz Manoel de Oliveira em seu penúltimo filme. Habilidoso, o diretor nos convida a acompanhar o cruzeiro de mãe e filha…  read review

Untitled

By jimmylo​running on November 15, 2009

The whole time I was watching this movie I was impatient with it, as it wasn’t going ANYWHERE, but at the same time I KNEW that that’s what the director wanted me to feel, and I knew it was supposed…  read review

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