A concentrated, carefully understated look at teenage confusion that represents a kind of peak in artistic self-assurance for Jacquot, shot in glorious wide-screen black & white. Isild Le Besco is Lili, an art student in 1970s Paris who falls suddenly and hard for a boy who turns out to be a petty crook. Before you know it, she’s on the run with him in Europe, and quickly winds up alone and destitute in Athens. The crazy, dizzyingly elliptical progression of the action perfectly embodies the emotional turmoil that Lili is keeping to herself – like most teenagers, she’s in far less control than she thinks she is. With its dry, unassuming acuity and its offhanded elegance, A tout de suite goes far beyond the standard French teenage fare with which it was instantly classified. As always with Jacquot, the film is a sentimental education, at once harsh and strangely liberating, happening even when the heroine, perfectly played by Le Besco, doesn’t realize it. –IFFR
Benoît Jacquot was born in Paris in 1947. He was the assistant to various directors before making his first film, L’Assassin Musicien in 1975. Fifteen films followed, such as Les enfants du placard, Les ailes de la colombe, La Ddsenchantée, La fille seule_, Le septième ciel, Pas de scandale, Sade, Tosca and Adolphe. He has worked with, among others, actors like Isabelle Huppert, Isabelle Adjani, Virginie Ledoyen, Fabrice Luchini and Daniel Auteuil. L’école de la chair was selected in Competition at the Cannes Film Festival in 1998 and A tout de suite in the Un Certain Regard section in 2004. He has also directed numerous documentaries and features for television, such as Princesse Marie in 2003 with Catherine Deneuve. In the fall of 2004 he directed Werther by Massenet at the Royal Opera in London"s Covent Garden. He is finishing a screenplay based on a novel by Moravia and is preparing… read more
This film captures the essence of young love, and the consequences of following your hearth. Outstanding acting by Isild Le Besco. One of my favorite films!