In Beaufort, North Carolina, a prank on a student goes terribly wrong and puts the student in the hospital. Landon Carter, a popular student with no defined plans for the future, is held responsible and forced to participate in after-school community service activities as punishment, which include starring as the lead in the school play. Also participating in these activities is Jamie Sullivan, the reverend’s daughter who has great ambitions and nothing in common with Landon. When Landon decides he wants to take his activities seriously, he asks Jamie for help and begins to spend most of his time with her. But he starts to develop strong feelings for her, something he did not expect to do. The two start a relationship, much to the chagrin of Landon’s old popular friends and Jamie’s strict reverend father. But when a heart-breaking secret becomes known that puts their relationship to the test, it is then that Landon and Jamie realize the true meaning of love and fate. —IMDb
An inventive dance and physical comedy choreographer who turned his knack for planning out a scene into a successful directorial career, filmmaker Adam Shankman rose through the ranks as one of the best music video dance choreographers in the business before stepping behind the camera to helm such high-profile mainstream comedies as The Wedding Planner, Bringing Down the House, and The Pacifier.
A true fan of all things theater from his childhood years, Los Angeles native Shankman moved to the East Coast to enroll in Juilliard dance program after graduating high school, and spent the next five years as a dancer and actor in and around New York. After returning to sunny entertainment capitol Los Angeles, Shankman performed frequently in music videos for such artists as Janet Jackson and Paula Abdul, with his impressive moves eventually culminating in a role as a featured dancer at the 1989 Academy Awards ceremony. Subsequently establishing a partnership with music video director… read more
I loved this movie when I was a bit younger. Now, the more I watch it, the more I hate it. It's Many Moore's irritating pout that does the trick.
This is one of those flicks that falls under the heading of: "I love this movie, always will, and I don't care who knows it!"