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About the Pink Sky

Momoiro sora o

Japan

2011

113 Min
Black and White
1.66:1
Japanese
  • Currently 3.2/5 Stars.
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DIR Keiichi Kobayashi

EXEC Shô Matsushima

PROD Hiroshi Harada

SCR Keiichi Kobayashi

DP Keiichi Kobayashi

CAST Ai Ikeda, Ena Koshino, Reiko Fujiwara, Tsuabasa Takayama, Hakusyu Togetsuan

ED Keiichi Kobayashi

PROD DES Michaelgion

SOUND Naruyuki Hidaka, Narishige Hidaka

Sundance (World Cinema Dramatic Competition), Rotterdam (Bright Future)

Synopsis

Izumi, a headstrong high-school girl with a cheerfully cynical outlook—she routinely “rates” the newspaper by assigning articles positive or negative values—finds a wallet containing 300,000 yen (almost $4,000) and the owner’s ID: Sato, a wealthy high-school boy. Instead of returning it, Izumi lends a hefty sum to an older fishing buddy with financial problems. Her classmates Hasumi and Kaoru later force her to return the wallet to Sato, but, unable to account for all of the money, Izumi agrees to help him console a friend in the hospital by creating a newspaper containing only “good news.”

Keiichi Kobayashi’s serene, coming-of-age story avoids the customary trappings of teen culture and genre with a pronounced sense of quiet. With its lively, black-and-white cinematography and long takes, Kobayashi’s aesthetic—drained of color and clutter—feels like a dream or a distant memory. About the Pink Sky owes its underlying energy to the young actors (all newcomers) with real chemistry, who deftly balance the quirky humor, teenage uncertainty, and subtle shifts in adolescent consciousness. –Sundance Film Festival

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uzaigaijin

31Dec11

My favorite japanese movie at the TIFF 2011 (Tokyo's one). Iwai Shunji fans should check it :)

Pedro Tavares likes this

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W184

Rotterdam 2012. Bright Future Lineup

By David Hudson on January 13, 2012

14 world and 14 international premieres from around the globe.

read article

Sundance 2012 Review: ABOUT THE PINK SKY is Partly Clouded by Style

By Twitchfilm.com on January 21, 2012
As the only film from Japan to make the cut for this year’s Sundance Film Festival, Keiichi Kobayashi’s debut feature is notable for its rejection of contemporary Japanese filmmaking norms. Shot entirely
read on Twitchfilm.com

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