In 1798, Napoleon lands his army in Egypt, defeats the Mameluke warlords (the remnants of Ottoman rule), and goes on to Cairo. Three brothers, who are Egyptian patriots, chafe under Mameluke rule and reject the prospect of French domination. Bakr, the eldest, is a hothead, quick to advocate armed rebellion; Ali is more philosophical and poetic; Yehia is young and impressionable. One of Napoleon’s generals, the one-legged intellectual Caffarelli, wants to make Frenchmen out of Ali, Yehia, and other Egyptians, opening a bakery where their father works, becoming a tutor, and declaring his love for them. Is tragedy the only resolution of these conflicting loyalties? –youssefchahine.us
Youssef Chahine (born in Alexandria, Egypt, 1926) started studying in a friars’ school, and then turned to English College until the High School Certificate. After one year in the University of Alexandria, he moved to the U.S. and spent two years at the Pasadena Play House, taking courses on film and dramatic arts. After coming back to Egypt, cinematographer Alevise Orfanelli helped him into the film business. His film debut was Baba Amin (1950): one year later, with Ibn el Nil (1951) he was first invited to the Cannes Film festival. In 1970, he was awarded a Golden Tanit at the Carthage Festival. With Le moineau (1973), he directed the first Egypt-Algeria co-production. He won a Silver Bear in Berlin for Iskanderija… lih? (1978), the first installment in what proved to be an autobiographic trilogy, completed with adduta misrija (1982) and Iskanderija, kaman oue kaman (1990).
In 1992, Jacques Lassalle proposed him to stage a piece of his choice for Comédie Française… read more