Shot in 1960, Rozier’s film had to wait two years to get a release and even longer for its immense charm and honesty to be recognised. The hero, Michel, plans one last fling before being sent to Algeria on military service. Only slowly does he realise that the girls he takes with him on holiday love him for who he is, not for what he pretends to be. –BFI
Jacques Rozier (born in 1926 in Paris) is a French film director and screenwriter. He is one of the lesser known members of the French New Wave movement and has collaborated with Jean-Luc Godard. Three of his films have been screened at the Cannes Film Festival. —Wikipedia
It would be good to watch the film if the mubi hadn't switched to this new idiotic streaming system.
Seems to look back to "L'Avventura" while keeping pace with "Jules et Jim" and paving the way for "Bande a part". Maybe "Masculine Feminine" also owes a debt.
An important if little known Nouvelle Vague film. The youthful spirit of the story about a young man, his two female companions and his last summer of freedom embodies the movement perfectly.
Critics' Week has already begun celebrating its 50th anniversary by posting 50 video interviews with directors and actors who've seen their
After seeing Kiju Yoshida’s debut film Good for Nothing (1960), we can add the filmmaker’s name to the rare list of studio directors whose
If I learned one thing from watching Blue jeans and Adieu Philippine, it is that Rozier is fantastic at shooting dance scenes. But alas, I learned more than one thing from watching Adieu Philippine… read review
I was expecting more from this film, but it was still a great ride.
It’s chaotic, it’s fun, it’s sophomoric. On the one hand, some of the visuals are beautiful and perfectly pitched: some of… read review
I’m impressed that anyone at The Auteurs even knows of the existence of this very important but sdaly obscure film. I didn’t get to see it stateside unitl 1966, and it was a revelation. Rozier’s use… read review