Eugene, an African farmer and a musician at heart, decides to leave his village and family in search of his fortune. His encounter with the urban world is violent, but Eugene does not lose heart. He retains his spontaneity and optimism. He finds his childhood friend, Kaffi, but when the latter dies of AIDS, Eugene decides to use his talent as a singer and musician to battle against the deadly disease. —Mnet
Idrissa Ouedraogo is one of Africa’s most prolific filmmakers. His early films are remakable in their ability to communicate through imagery. Poko, Les Ecuelles (The Wooden Bowls), Les Funerailles du Larle Naba (The Funeral of Larle Narba), Ouagadougou, Ouga deux roues (Ouagadougou, Ouga Two Wheels), and Issa le tisserand (Issa the Weaver) appeal to a multi-lingual audience without using dialogue or voice-over narration. Although his subsequent films incorporate dialogue, Ouedraogo’s talent for creating meaning with images remains a hallmark of his work.
Ouedraogo’s first commercial success, Yaaba (Grandmother), narrates the story of two young children who befriend an old woman wrongly accused of malevolent sorcery. This film exemplifies Ouedraogo’s interest in the multiple ramifications of individual choices. It also demonstrates Ouedraogo’s skill at adapting the poetics of African oral tales to contemporary cinema. Nwachukwu Frank… read more