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After Life

Wandâfuru raifu

Japan

1998

118 Min
Color
1.66:1
Japanese
Subtitled in English
Audio in Japanese
  • Currently 4.1/5 Stars.
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DIR Hirokazu Kore-eda

EXEC Yutaka Shigenobu

PROD Shiho Sato, Masayuki Akieda

SCR Hirokazu Kore-eda

DP Yutaka Yamazaki, Masayoshi Sukita

CAST Arata, Erika Oda, Takashi Naitô, Kei Tani, Susumu Terajima, Kyôko Kagawa, Taketoshi Naitô, Tôru Yuri, Yûsuke Iseya, Sayaka Yoshino, Kazuko Shirakawa, Kotaro Shiga, Hisako Hara, Sadao Abe, Natsuo Ishidô

ED Hirokazu Kore-eda

PROD DES Hideo Gunji, Toshihiro Isomi

MUSIC Yasuhiro Kasamatsu

SOUND Osamu Takizawa

San Sebastián (Competition): FIPRESCI Prize, San Francisco, Toronto (New Beat of Japan), London, Sundance (World Cinema), Rotterdam (Main Programme), BAFICI (International Competition): Best Film, Best Screenplay, Vancouver (Dragons & Tigers), AFI FEST

Synopsis

Hirokazu Kore-ede’s (Nobody Knows) award-winning film is a warm and inventive story about what matters in the world beyond. At a station somewhere between heaven and earth, the newly dead are greeted by guides that help the dead look through their memories and find the one defining moment of their lives. The guides are then tasked to re-create the past as the dead remember it, so that they may always keep with them their most beloved of remembrances. But what of the mysterious guides and their strange jobs of inspiring and then remaking and evoking events and emotions from the past? Were they once alive too, did they have memories? Kore-eda’s film explores a universal, human theme with an unusual story suffused in a glowing mysteriousness to find what is most touching, most surprising, most romantic, and ultimately most memorable about the lives people live.

Director

Original

Hirokazu Kore-eda

Born in Tokyo in 1962. Originally intended to be a novelist, but after graduating from Waseda University in 1987 went on to become an assistant director at TV Man Union. Sneaked off set to film Lessons from a Calf (1991). His first feature, Maboroshi no hikari (1995), based on a Teru Miyamoto novel and drawn from his own experiences whilst filming August Without Him (1994), won jury prizes at Venice and Chicago. The main themes of his oeuvre include memory and loss, death and loss, and the intersection of documentary and fictional narratives. —IMDb 

Wall

Displaying 4 of 57 wall posts.
Picture of Savannah

Savannah

20May12

Beautiful and understated. A simple, rich, quiet film. I loved it.

Picture of Fabio Espejo

Fabio Espejo

11Feb12

A cinematic heaven ! Nice film.

Picture of S. Ressler

S. Ressler

9Jan12

After Life uncannily parallels the experiences of psychotherapists and their patients.

Picture of memorothèque

memorothèque

7Jan12

Films as memories, memories as cinema.

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Fans

Displaying 5 of 1450 fans.

Articles

Our roundup of essays and articles on this film.
W184

Regrets & Memories: A Conversation With Hirokazu Kore-Eda

By Michael Guillen on August 29, 2009

A talk with the Japanese director about his film Still Walking.

read article
W184

The Auteurs Daily: Hirokazu Kore-eda, "The Sun" and Midnight Eye

By David Hudson on August 27, 2009

"What's remarkable about Still Walking, Japanese director Hirokazu Kore-eda's seventh feature film and one every bit as sensitive as his

read article
W184

The Auteurs Daily: Locarno and Other Fests and Events

By David Hudson on August 15, 2009

  The 62nd Locarno International Film Festival has wrapped tonight with its awards ceremony and the world premiere of Byambasuren Davaa

read article

INTERVIEW: Hirokazu Kore-Eda Remembers "Afterlife"

By Maya Churi on January 23, 2008
If you could only take one memory with you for the rest of eternity, which would you choose? Posed with this question, Hirokazu Kore-Eda (“Maborosi”) documents the answers in his new film, “Afterlife.”
read article

Wandafuru Raifu [After Life], 1998

By Acquarello on January 23, 2008
Early Monday morning, four overworked, dedicated counselors are given a motivational speech by their supervisor in preparation for the week’s heavy caseload. A distant bell tolls, and one by one, people
read article

'After Life': In Death, a Fond Remembrance of Things Past

By Stephen Holden on January 23, 2008
When we say we “remember” something, what exactly is it we recall? A feeling? A smell? Words? Facial expressions? Invited to relive an especially happy memory, how many of us would be able to go beyond
read article

Lists

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Reviews

Displaying 4 of 9

AFTER LIFE (WANDAFURU RAIFU)

By Daniel A. DiCenso on September 4, 2011

The afterlife in Hirokazu Koreeda’s After Life is not the white and serene dreamscape of popular perception. It’s an ordinary and sort of musty office building running on regular electricity and appliances…  read review

A life-like look at death

By davecit​o ! on August 11, 2011

There are many films referred to as ‘lifelike,’ as a positive attribute. This marvelous film – ironically about a post-mortem limbo world – is one of few that actually earns the term.

AFTER…  read review

POST-MORTEM STAR TURN

By PARIS MTN SCOUT on June 15, 2011

Nearly a decade after Albert Brooks suggested that each of us must prove his mettle in an after-life court of law (DEFENDING YOUR LIFE, 1991), Japanese director Hirokazu Koreeda imagines us starring…  read review

Good movie about death.

By Benoît on November 13, 2010

Manière très simple d’aborder la mort en traitant du passage amenant avant l’au-delà qu’est celui des limbes. Une vieille bâtisses, une mise en scène sans artifices alliant caméra à épaules et nombreux…  read review

Forum

Displaying 1 discussion topic.

Trailer for Kore-Eda's latest film

6 posts by 5 people 9 months ago