Hirokazu Kore-ede’s (Nobody Knows) award-winning film is a warm and inventive story about what matters in the world beyond. At a station somewhere between heaven and earth, the newly dead are greeted by guides that help the dead look through their memories and find the one defining moment of their lives. The guides are then tasked to re-create the past as the dead remember it, so that they may always keep with them their most beloved of remembrances. But what of the mysterious guides and their strange jobs of inspiring and then remaking and evoking events and emotions from the past? Were they once alive too, did they have memories? Kore-eda’s film explores a universal, human theme with an unusual story suffused in a glowing mysteriousness to find what is most touching, most surprising, most romantic, and ultimately most memorable about the lives people live.
Born in Tokyo in 1962. Originally intended to be a novelist, but after graduating from Waseda University in 1987 went on to become an assistant director at TV Man Union. Sneaked off set to film Lessons from a Calf (1991). His first feature, Maboroshi no hikari (1995), based on a Teru Miyamoto novel and drawn from his own experiences whilst filming August Without Him (1994), won jury prizes at Venice and Chicago. The main themes of his oeuvre include memory and loss, death and loss, and the intersection of documentary and fictional narratives. —IMDb
After Life uncannily parallels the experiences of psychotherapists and their patients.
A talk with the Japanese director about his film Still Walking.
"What's remarkable about Still Walking, Japanese director Hirokazu Kore-eda's seventh feature film and one every bit as sensitive as his
The 62nd Locarno International Film Festival has wrapped tonight with its awards ceremony and the world premiere of Byambasuren Davaa
The afterlife in Hirokazu Koreeda’s After Life is not the white and serene dreamscape of popular perception. It’s an ordinary and sort of musty office building running on regular electricity and appliances… read review
There are many films referred to as ‘lifelike,’ as a positive attribute. This marvelous film – ironically about a post-mortem limbo world – is one of few that actually earns the term.
AFTER… read review
Nearly a decade after Albert Brooks suggested that each of us must prove his mettle in an after-life court of law (DEFENDING YOUR LIFE, 1991), Japanese director Hirokazu Koreeda imagines us starring… read review
Manière très simple d’aborder la mort en traitant du passage amenant avant l’au-delà qu’est celui des limbes. Une vieille bâtisses, une mise en scène sans artifices alliant caméra à épaules et nombreux… read review