When are the dead in fact dead? In its pleasure at simultaneously embracing and sending up horror genre conventions, AFTER.LIFE suggests that the line between the living and the dead is thin indeed. Christina Ricci and Justin Long (fast earning a reputation as the busiest man in American movies) play a sophisticated couple on the emotional razor’s edge: Paul wants to tie the knot, while Anna is hardly ready for the leap. What neither count on is the sudden presence in their lives of Liam Neeson’s undertaker, Eliot, who claims to have a gift of talking with the dead. The truth of the matter is something that first-time feature director Agnieska Wojtowicz-Vosloo—fresh off her acclaimed short, PATE—enjoys toying with. But the most fun is watching Neeson discovering fresh variations on a ghoulish role of the kind that was once the province of Vincent Price. —AFI Film Festival
all the time I was tense and I thought it was a really good shoot, but too many people don't get the message and think the film is terrible
a god awful movie. the plot has so much potential, but it wasn't executed well at all. Ricci is sort of a horrible actress in this as well, and I've never been a huge fan of Justin Long. I thought the movie was getting interesting but it took so many turns, dreams, and hallucinations that it completley fucked up the story.
So…it never kept me guessing. There was nothing to make me believe anything contrary to what I saw. Oh, and Long? He was terrible.
"Everyone Else, a sun-kissed German film about a young couple in love and in doubt, might not be perfect, but so much is right and true in