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Albert Nobbs

Ireland, United Kingdom

2011

114 Min
Color
English
  • Currently 2.7/5 Stars.
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DIR Rodrigo García

PROD Glenn Close, Bonnie Curtis, Julie Lynn, Alan Moloney

SCR Glenn Close, John Banville

DP Michael McDonough

CAST Glenn Close, Mia Wasikowska, Aaron Taylor-Johnson, Jonathan Rhys Meyers, Brendan Gleeson, Mark Williams, Janet McTeer, Maria Doyle Kennedy, Pauline Collins, Brenda Fricker, Bronagh Gallagher

ED Steven Weisberg

PROD DES Patrizia von Brandenstein

MUSIC Brian Byrne

SOUND Niall Brady

Toronto (Gala), San Sebastián (Out of Competition), Telluride, Mill Valley (Opening Night): Audience Favorite Award, Abu Dhabi (Showcase), Istanbul (International Competition)

Synopsis

Glenn Close co-wrote and stars in this adaptation of the play about a nineteenth-century Irishwoman who disguises herself as a man and works as a butler for twenty years. Mia Wasikowska, Jonathan Rhys Meyers and Aaron Johnson co-star in this intelligent and often surprising period drama.

True independence is something hard won at the best of times, but for the protagonist of director Rodrigo Garcia’s captivating period piece, the measures taken to achieve it are extraordinary by any standard.

Albert Nobbs unfolds within the opulent rooms of Dublin’s most luxurious hotel, a place designed for the enjoyment of the privileged class. For those who live and work there, however, private dramas are unfold­ing, and much is not as it seems. Take Albert, the shy butler. He keeps to himself for a very good reason. Albert has been hiding a secret for a very long time. Albert is actually a woman.

Nineteenth-century Ireland was not an easy place for a single woman of no means. To keep herself from destitution’s door, Albert (Glenn Close, who played the role in an off-Broadway adaptation and is one of the film’s writers and producers) has spent over twenty years pretending to be a man. By now it would seem that nothing could spoil her immaculate ruse, but when a handsome painter arrives at the hotel, Albert is tempted to let the mask she’s worn for so long slip away. As she investigates the possibility of getting close to the artist, Albert attempts to secure the assistance of Helen (Mia Wasikowska), one of the hotel’s young maids, but Helen too is distracted — by a handsome young handyman (Aaron Johnson).

Based on the short story The Singular Life of Albert Nobbs by George Moore, the film benefits immeasurably from its adaptation, the fruit of a collaboration between Close and Booker Prize–winning author John Banville. Their witty exchanges are handled with utter finesse by the cast, which features not only Close, Wasikowska and Johnson, but also Irish actors Brendan Gleeson and Jonathan Rhys Meyers. Together they will transport you into the past — to meet a woman ahead of her time. –TIFF

Director

Original

Rodrigo García

Rodrigo García (born 24 August 1959) is a Colombian-born television and film director.

García was born in Bogotá, Colombia, the son of Colombian writer Gabriel García Márquez and Mercedes Barcha Pardo. Because of this he knew Carlos Fuentes, Julio Cortázar, Pablo Neruda and Luis Buñuel when he was young

García has directed a variety of independent films such as the award-winning “Nine Lives” and “Albert Nobbs” and several episodes of the HBO series, Six Feet Under, Carnivàle, and Big Love. He created, wrote and directed the wildly popular HBO hit “In Treatment” As of 1987, he lives in the United States.

He has also worked as a camera operator and a cinematographer for several films such as Gia, The Birdcage and Great Expectations.

His film Nine Lives was nominated for the William Shatner Golden Groundhog Award for Best Underground Movie, the other nominated films were Green Street Hooligans, MirrorMask, Up for Grabs and Opie Gets Laid. —Wikipedia read more

Wall

Displaying 4 of 37 wall posts.
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lolo341

19Feb13

I ended up enjoying its Downton Abby-ness. I agree with the New Yorker's David Edelstein: it's about "finding somewhere safe in a society that treats all poor people badly but poor women worse." He notes great performances, calling Close's Nobbs "the personification of fear—the fear of being seen through, seen for what she is," but at 64, her Nobbs is unfortunately "a hunched, wizened thing." 3.5 stars

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M

22Nov12

Sadly a bit boring. Too many characters in the foreground.

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Silvia Ciocca

20Oct12

brava la Close, benissimo i costumi peccato la povertà di sviluppo della sceneggiatura..

Elena likes this

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Luisa

2Oct12

Interesting story of the issue of gender.

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Articles

Our roundup of essays and articles on this film.
W184

Mill Valley Film Festival 2011

By David Hudson on October 6, 2011

An overview of the previews of this year’s edition.

read article
W184

Telluride and Toronto 2011. Rodrigo García's "Albert Nobbs"

By David Hudson on September 4, 2011

Glenn Close’s performance is evidently a hands-down contender for you-know-what season.

read article

ALBERT NOBBS Review

By Twitchfilm.com on December 24, 2011
Is there anything more disappointing than a restrained period drama that simmers… simmers… and then cools to the point where it reaches room temperature?Actually, I suppose there are many things in the
read on Twitchfilm.com

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Reviews

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Une prestation spectaculaire ne fait pas tout

By hubertg​uillaud on May 19, 2012

Passer la spectaculaire prestation toute en nuance de Glenn Close en Albert Nobbs, le film de Rodrigo Garcia demeure bien linéaire et bien classique. Le film ne creuse même pas vraiment l’ambiguïté…  read review

[Last Film I Saw] Albert Nobbs

By lasttim​eisaw on March 30, 2012

Title: Albert Nobbs
Year: 2011
Language: English
Country: UK, Ireland
Genre: Drama
Director: Rodrigo García
Writers:
Glenn Close
John Banville
George Moore
  read review

Film review: Albert Nobbs

By Miasma on January 27, 2012

This review @ my blog

Albert Nobbs…  read review

ALBERT NOBBS [2011]

By Jesse Taylor on November 25, 2011

“Albert Nobbs” isn’t a bad film by any means, it’s just not a great one. It’s a good period piece with solid performances. This film has been a labour of love for Glenn Close for about 30 years now…  read review

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