The first chapter in Chahine’s Alexandria Trilogy. In 1942, as Rommel’s army nears Alexandria, some cheer the victors, Jews prepare to flee, and a vengeful aristocrat buys British soldiers to seduce and kill them—until he falls in love with one young captive. A young student (Chahine’s avatar) adores Shakespeare and Hollywood, dreaming of studying filmmaking in the USA, but as he discovers the lies of European occupation and Americanization, and experiences a sexual awakening, he profoundly reevaluates his identity and allegiances. –youssefchahine.us
Youssef Chahine (born in Alexandria, Egypt, 1926) started studying in a friars’ school, and then turned to English College until the High School Certificate. After one year in the University of Alexandria, he moved to the U.S. and spent two years at the Pasadena Play House, taking courses on film and dramatic arts. After coming back to Egypt, cinematographer Alevise Orfanelli helped him into the film business. His film debut was Baba Amin (1950): one year later, with Ibn el Nil (1951) he was first invited to the Cannes Film festival. In 1970, he was awarded a Golden Tanit at the Carthage Festival. With Le moineau (1973), he directed the first Egypt-Algeria co-production. He won a Silver Bear in Berlin for Iskanderija… lih? (1978), the first installment in what proved to be an autobiographic trilogy, completed with adduta misrija (1982) and Iskanderija, kaman oue kaman (1990).
In 1992, Jacques Lassalle proposed him to stage a piece of his choice for Comédie Française… read more