Disney version of Lewis Carroll’s Children’s story. Alice becomes bored and her mind starts to wander. She sees a white rabbit who appears to be in a hurry. She chases it into its burrow and then a most bizarre series of adventures begins. —IMDb
Animator/director Clyde Geronimi got his start as an animator at the Hearst studios in New York. He was hired by Disney studios in 1931 and directed his short cartoon, Beach Picnic in 1938. Eventually Geronimi began working on Disney animated features and helped direct such classics as Cinderella, Sleeping Beauty, and Alice in Wonderland and went on to win an Oscar for helming the Disney animated short Ugly Duckling. In the ’50s and ’60s, he moved into directing Disney television shows. —AllMovie guide
Walt Disney first came to rely upon Wilfred Jackson’s genius and sense of perfection, the year Mickey Mouse was born, 1928. At that time, Walt had conceived the notion of marrying music and animation during what was the age of silent movies. Then a new kid in the Studio’s animation department, Wilfred devised a method of synchronizing animation with music, by using a metronome to mark time that could then be converted to a music track. The innovation, which was featured in Mickey Mouse’s debut film “Steamboat Willie,” revolutionized the entertainment medium and competing studios spent more than a year trying to figure out Disney’s production “secret.”
Walt quickly promoted “Jaxon,” as he was called, from animator to director. And as Frank Thomas and Ollie Johnston wrote in their book, “Disney Animation: The Illusion of Life,” — "Jaxon was easily the most creative of the directors, but he was also the most “picky” and took a lot of kidding about his thoroughness."
Born… read more
Ham Luske, a business major, with no formal art education, was the first animator cast by Walt Disney on his daring new project, “Snow White and the Seven Dwarfs,” the Studio’s first full-length animated feature film. In a memo dated late 1935, Walt wrote, “From now on Ham Luske is definitely assigned to Snow White.”
As the film’s supervising animator, Ham was responsible for the most difficult character of all – Snow White. The audience had to believe in her for the picture to be a success, which led to the use of such groundbreaking techniques as live-action reference films. Ham adeptly directed live-action model (actress Margie Bell) on film, which artists then referred to as they brought the character to life.
Animator and fellow Disney Legend Ollie Johnston recalled, “Ham’s careful planning and shooting of the live-action footage, always with the idea in mind of how it would be used in animation, resulted in a very convincing character.” So much so that Snow White… read more
Adoro la storia di Alice, adoro i personaggi e le follie che da essi derivano. Questa non credo sia la messa in scena migliore, tra quelle che rappresentano questa storia, ma i personaggi sono resi abbastanza bene e, ignorando accuratamente l'eccessiva musicalità, guardo sempre questo film con piacere!
Funny how telling the film is. Disney's film certainly has tinges of darkness and counter-culture. There's the oysters scene and the oily, darkened landscapes, Alice in a tears in a dark forest, but there's also just so many obvious "scenes" that look as if they're supposed to be Disney shorts. These don't mesh with the overall look and occasionally druggy solipsism, creating a nullification of anything weird.
Tim Burton's Alice in Wonderland, set to open pretty much worldwide next week, saw its world premiere in London last night. Here's a roundup