Victor lives in Vienna with Annette, his beautiful Austrian wife and their daughter Pamela. It’s spring. Fleeing his work, Victor spends his days outside: he plays with Pamela, pays a visit to Annette’s parents, loiters in the park with the drug dealers. Very much in love, Annette is confident that he’ll get a hold of himself as soon as they return to Paris. But back in France, Victor relapses into his bad habits. After a violent dispute, Victor moves into the room of a junkie he has fallen in love with. Annette leaves Victor and disappears with Pamela. 11 years later: Pamela is 17. She lives in Paris with her mother. One day, she learns that her father lives in the same city. She decides to see him again. –Quinzaine des Réalisateurs
Cinema came into Mia Hansen-Løve’s life when she was eighteen, as Olivier Assayas made her start as an actress in Fin août, début septembre (1998). Two years later, he gave her the part of “Aline” in his Les destinées sentimentales (2000). Their artistic collaboration was coupled by a union in real life, Mia and Olivier becoming life companions. In 2001, Mia Hansen-Løve began studying at the municipal Conservatory of Dramatic Arts in Paris’ 10th district but she dropped our after two years to contribute instead to the famous film magazine “Les Cahiers du Cinéma”, where Olivier Assayas also wrote. In 2001, she tried her hand at directing and, as of the first day of shooting, discovered that this WAS what she wanted to do. The result was Après mûre réflexion (2004). Since then, although aged only twenty-eight, she has already made two more films, Tout est pardonné (2007) and Le père de mes enfants (2009), both acclaimed by the critics, both showing consistent thematic and stylistic unity… read more
I love very much the intensity of the heroine comes from her stillness and/or her micro movements throughout the film. Hansen-Love delivers a great sense of rising love between the father and the daughter in a purely natural way.
Constance Rousseau has the energy and talent of the young Sandrine Bonnaire, and twice more beautiful. Let's wait for her upcoming filmography
Ok…I developed a huge crush on Mia Hansen-Løve when I saw this. Now that she’s married to Olivier Assayas, I might as well just go throw myself off a cliff.
I saw All is Forgiven at the San… read review