All Things Fair

Lust och fägring stor

Sweden, Denmark

1995

128 Min

Color

1.66:1

Swedish, English, German

Currently 3.5/5 Stars.
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CAST Johan Widerberg, Marika Lagercrantz, Tomas von Brömssen, Karin Huldt, Nina Gunke, Björn Kjellman, Kenneth Milldoff, Frida Lindholm, Sigge Cederlund

SOUND Per Boström, Morten Degnbol, Adel Kjellström, Lars Lund, Lasse Ulander, Johan Winbladh

Stockholm (Northern Lights), Berlinale (Competition): Special Jury Prize, Blue Angel, Edinburgh, Chicago

Synopsis

The story takes place in Malmo 1943 between the first day of school after Christmas and the last day of the term, just before the summer holiday, June 8, 1943. When Stig, nicknamed “The Stockholmian” because he was born in Stockholm, meets his new teacher, Viola, his life changes radically. The fact that she is 37 and Stig is 15 and that she is his teacher make their affair complicated, but not impossible. Viola’s husband Kjell, a salesman dealing in ladies’ underwear, is not the faithful kind of husband, and therefore Viola regards her actions as completely justified. Still, it’s the first time she’s actually been unfaithful to her husband. Maybe the fact that Kjell drinks a lot, makes him less alert to his wife’s new love life. Stig and Viola’s affair becomes more and more dangerous for both of them, but especially Viola, who risks everything. One day, however, Stig realizes that love does exist in the shape of someone his own age and Viola makes him pay dearly for this realisation. –Inbaseline

Director

Bo Widerberg

Swedish filmmaker Bo Widerberg is best known internationally for his impressionistic romantic drama Elvira Madigan (1967). Three of his films, All Things Fair (1996), Adalen 31 (1969), and Raven’s End (1964), have received Oscar nominations for Best Foreign Film. Widerberg started out as a novelist, but turned to filmmaking after writing Visionen i Svensk Film/Vision in Swedish Film (1962), a scathing criticism of Ingmar Bergman’s alleged monopoly of Swedish cinema. In his treatise, Widerberg argued for films containing realistic themes dealing with earthier concerns rather than the Bergmanesque tendency to address lofty abstractions on the existence of God. In hopes of creating a “new wave” in Swedish cinema, one that addressed the seething inner lives of characters rather than their neatly unified, socially progressive exteriors, Widerberg made Barnvagnen/Baby Carriage (1963), the story of a young single and pregnant woman who chooses independence over two potential suitors. It was… read more

Swedish filmmaker Bo Widerberg is best known internationally for his impressionistic romantic drama Elvira Madigan (1967). Three of his films, All Things Fair (1996), Adalen 31 (1969), and Raven’s End (1964), have received Oscar nominations for Best Foreign Film. Widerberg started out as a novelist, but turned to filmmaking after writing Visionen i Svensk Film/Vision in Swedish Film (1962), a scathing criticism of Ingmar Bergman’s alleged monopoly of Swedish cinema. In his treatise, Widerberg argued for films containing realistic themes dealing with earthier concerns rather than the Bergmanesque tendency to address lofty abstractions on the existence of God. In hopes of creating a “new wave” in Swedish cinema, one that addressed the seething inner lives of characters rather than their neatly unified, socially progressive exteriors, Widerberg made Barnvagnen/Baby Carriage (1963), the story of a young single and pregnant woman who chooses independence over two potential suitors. It was hailed as one of the first Swedish films to accurately portray the foibles and stresses of modern city life. His first film, Pojeken och Daken/A Boy and His Kite (1961), was a short television feature made in collaboration with Jan Troell. Widerberg claims he learned how to make films by watching the films of others and carefully analyzing each scene from back to front. He extended this meticulousness into his work and when making a film has been known to take control of every detail, even down to the color processing of each film. His next film, Kvarteret Korpen/Raven’s End (1963), is said to be somewhat autobiographical and while garnering good reviews, the film’s offbeat conclusion caused minor controversy. For Elvira Madigan, Widerberg combined romance with the haunting strains of Mozart’s Piano Concerto No. 21. The film was so popular that the concerto became known as “the Elvira Madigan Theme.” In 1970, Widerberg went to Hollywood to film the internationally successful Joe Hill. After releasing The Serpent’s Way (1986), Widerberg did not make another feature until 1995’s Lust och Fagring Stor/All Things Fair, which starred his son, Johan Widerberg. In addition to making feature films, Widerberg has also gained a reputation for his television dramas. Widerberg died on May 1, 1997, in a hospital in Angelholm, Sweden, at age 66. —allmovie guide

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