“Murer’s masterpiece” (Cahiers du cinéma), Alpine Fire is about a family living on a remote Swiss mountainside, almost entirely disconnected from the modern world. A deaf mute boy comes of age in this simultaneously constrictive and untamed environment, developing a forbidden relationship with his sister. The austere beauty of the mountainside setting is essential to Murer’s vision; implacable mountaintops seem to glower indifferently over the passions raging here, and a locale one might normally associate with freedom becomes a claustrophobic enclave. Murer’s most renowned and controversial film won the Golden Leopard at the Locarno film festival; its quiet escalation to tragedy and hauntingly beautiful final image are not easily forgotten. —http://www.cinemathequeontario.ca
Born in 1940 in Beckenried by Lake Lucerne, at the age of 17 Fredi M. Murer moved to Zurich, where, from 1959, he studied technical drawing at the School of Design. After two years, he transferred to the specialist photography class run by Serge Stauffer (later founder of the independent arts school F+F) and Walter Binder (later curator of the Swiss Photography Foundation). In 1964 he was responsible for the design and realization of the large-scale slide projections in the “Schooling and Education” pavilion at the national EXPO 64 exhibition in Lausanne, also publishing the collection of photographs “Youth 13-20” and making the films Pacific, Chicory and Bernhard Luginbühl. Murer embarked on his career as a freelance film-maker in 1967. In 1970 he and his family went into “exile” in London for a year, where he served as a visiting lecturer at the Guildford Arts School. In 1971 he returned to Switzerland and shot We mountain people in the mountains. That same year, he founded… read more