Ana is confronted to Body and Desire at three key moments of her life. Her carnal search that sways between reality and colored fantasies is becoming more and more oppressive. Where will this chaotic and carnivorous journey leave her? —Transilvania International Film Festival
Riveting experimental film emulates the style and atmosphere of the classic giallo films, helped along by choice sampling from the scores of Ennio Morricone and Stelvio Cipriani. Virtually plotless, but the precision camerawork and razor-sharp editing are masterful. Not for everyone, but I found it a remarkable piece of work.
Take any one of these three vignettes and they most likely could have stood on their own as short films. String them together and you get an almost intolerable feature, told entirely through extreme close-ups: close-ups of eyes, of lips, of breasts, of crotches. There is almost no dialogue or music, and what music is here is recycled from older giallos. An homage to Mario Bava that plays out like a student film.
Just as All Saints Day follows Halloween, so, too, does Claude Chabrol's quiet and gentle final film follow a raucous batch of scary stuff;
"Austin's most prolific fraternal pairing, the Zellner Bros, are men of many accents," writes Kimberley Jones, introducing her brief interview
Last year, many of us thrilled at the prospect of an issue of Image [&] Narrative featuring a "Thematic Cluster" on Chris Marker - only
Finally a fresh and innovative film this year!
Amer (=bitter) is an experimental horror film without dialogue and without narrative. It focuses purely on audiovisual sensations and atmosphere… read review