Ana is confronted to Body and Desire at three key moments of her life. Her carnal search that sways between reality and colored fantasies is becoming more and more oppressive. Where will this chaotic and carnivorous journey leave her? —Transilvania International Film Festival
A joy as much as it is a chore. Stunning in its ability to float about amusingly. Revolting in how little it accomplishes. Giallo influences however do not make a giallo. I doubt that was their intent but one feels a bit let down and wondering why if it had no intention of following through with his references. On its own, functional.
Two french hacks try to make a giallo, the result? A complete failure, like a bad student film trying to remake Suspiria.
atmospheric piece of sensual cinema. sometimes a bit repetitive, maybe, but worth the time nevertheless, if only for its original approach and the love for cinema it shows
Just as All Saints Day follows Halloween, so, too, does Claude Chabrol's quiet and gentle final film follow a raucous batch of scary stuff;
"Austin's most prolific fraternal pairing, the Zellner Bros, are men of many accents," writes Kimberley Jones, introducing her brief interview
Last year, many of us thrilled at the prospect of an issue of Image [&] Narrative featuring a "Thematic Cluster" on Chris Marker - only
Finally a fresh and innovative film this year!
Amer (=bitter) is an experimental horror film without dialogue and without narrative. It focuses purely on audiovisual sensations and atmosphere… read review