Libertarian, outlaw, shaman, philosopher, romantic, preacher, genius…Bill Hicks was always something other than a comedian. His death from cancer in 1994 deprived the world of arguably the most iconic and probing voice in American culture of the period, and it’s hard to find the words to do him justice. Given the fact Hicks was much more celebrated in the UK than he was at home, it is perhaps fitting that it’s British filmmakers Matt Harlock and Paul Thomas who step up to pay him his dues. Cleverly shunning a conventional talking-heads approach, American: The Bill Hicks Story uses an innovative animation technique, some rare and previously unseen performance footage, and testimonies only from the people who knew him best, his family and close friends, to create a deeply perceptive, fittingly honest celebration of the man occasionally known as Goatboy. From his teenage years, when he would have to sneak out of his parents home to appear at the Austin comedy club where he first attracted attention, through to being infamously censored on The Late Show with David Letterman, this is as complete and definitive a biography as there is available. The frequent stand-up clips serve to illustrate why Hicks remains so revered and relevant: he was so funny, so fearless and always right. —bfi
Impresionante trabajo de edición y animación de fotografías para contar la historia de uno de los comediantes más iconoclastas jamás conocidos por el hombre.
This documentary does a good job of taking what few pictures and videos of Bill were available to create a visually appealing mobile collage that manages to detail his story fairly well. There is very little stand-up in this film but you learn a lot more about the life of this extremely talented and hilarious individual. But more importantly, we remember that Bill wasn't afraid to ask the real difficult questions.
With the current malaise, ongoing imperialist wars, reactionary attitutudes and even greater media propaganda, people like Bill Hicks are needed more than ever. A fascinating documentary on a man too forthright on unwanted truths to be properly appreciated in his own country.
Just hours to go now before one of the most fun festivals on the calendar pops open. Kimberley Jones introduces the Austin Chronicle's bulging