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Amphetamine

Hong Kong, China

2010

97 Min
Color
1.85:1
Cantonese, English
  • Currently 2.7/5 Stars.
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DIR Scud

EXEC Lawrence Ah Mon

PROD Scud

SCR Scud

DP Charlie Lam

CAST Byron Pang, Thomas Price, Linda So, Winnie Leung, Simon Tam

ED Heiward Mak

MUSIC Shan Ho, Yu Yat-yiu

Berlinale (Panorama), Chicago

Synopsis

In Chinese the word amphetamine has another meaning, namely: ‘is this not his fate?’ Fate is what catches up with a young personal trainer named Kafka in this passionate drama.

Kafka also holds down jobs as a martial artist and courier. He needs several jobs in order to be able to support his sick mother. His father is dead – he took his own life long ago. Kafka was only a child at the time. One night – it’s the night he splits up with his girlfriend May – Kafka meets a young financial manager named Daniel. Daniel has moved to Hong Kong from Australia in order to help pick up the pieces after the financial crisis of autumn 2008. Daniel makes a hefty play for Kafka, who succumbs to his advances – because he is lonely and desperate for love. The two men are convinced that their love will conquer everything that divides them, such as their sexual preferences and drug addiction.

Daniel has no reason to regret his love for Kafka. Kafka does his best to reciprocate Daniel’s love by trying to accept it – even though he hasn’t exactly grown up with it. But then their situation is complicated by a terrible memory. Amphetamine addiction may be deadly, but an addiction to love can be even more fateful. Director Scud has dedicated his film about sex, drugs and true love to all those who live to love – but who only end up losing the love of their lives. –Berlinale

Director

Original

Scud

Scud is the working name of Hong Kong Chinese film producer, screenwriter and now film director, Danny Cheng Wan-Cheung (云翔). He says that he chose the name ‘Scud’ to match his Chinese name, which translates in English as ‘Scudding Clouds’. He was born in Guangzhou (Canton) on March 20, 1967, during the country’s Great Cultural Revolution. His films explore themes usually deemed too controversial for Hong Kong cinema, including same-sex relationships and drug-taking, and include many nude scenes of Chinese young men, whose pubic hair and private parts are fully exposed on camera. His film-making style eschews cynicism or gritty realism, and embraces an acceptance of the life choices made by his characters, rather than a search for ‘solutions’. —Wikipedia 

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bfaldano

19Apr13

That was so amazing.. this film mades me cried. the story, the emotion so strong in this film. that's so i gave this film 4/5 stars. that's make me realize theres something reason why people being a gay, coz everything has a reason we must respect and honor their choice. that's all

bfaldano likes this

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LET'S TALK ABOUT: HONG KONG DIRECTOR, SCUD

1 post by 1 person over 2 years ago