Acclaimed film editor Alan Smithee’s dream comes true when Challenger Films contracts him to direct a new action-adventure, “Trio.” The fledgling filmmaker jumps at the chance to direct Whoopi Goldberg, Jackie Chan, and Sylvester Stallone. Little does he realize that he is but a puppet – the company president and executive producer have hired him just to pull his strings. From the first “Roll ’em” to the final cut, the bigwigs keep Smithee out of the loop. To his utter dismay, he finds his name attached to a monster-piece! What’s more, he can’t even hide behind a fake name because he really IS “Alan Smithee,” the pseudonym that disgruntled filmmakers use to replace their own on movies bad enough to destroy their reputations. In desperation, Smithee swipes the master reels and goes into hiding. Aided by the Brothers Brothers, black filmmakers replete with indie cred but short on major studio deals, Smithee faces the ultimate challenge: to negotiate an agreement to re-edit the movie in his own style, or burn the film and his own career along with it. —IMDb
Alan Smithee (also Allen Smithee) was an official pseudonym used by film directors who wish to disown a project, coined in 1968. Until its use was formally discontinued in 2000, it was the sole pseudonym used by members of the Directors Guild of America (DGA) when a director dissatisfied with the final product proved to the satisfaction of a guild panel that he or she had not been able to exercise creative control over a film. The director was also required by guild rules not to discuss the circumstances leading to the move or even to acknowledge being the actual director.
The Smithee pseudonym was created for use on the film Death of a Gunfighter, released in 1969. During its filming, lead actor Richard Widmark was unhappy with director Robert Totten, and arranged to have him replaced by Don Siegel. Siegel later estimated that Totten had spent 25 days filming, and he had spent 9-10, and each had roughly equal footage in Siegel’s final edit. But he made it clear that Widmark… read more
Arthur Hiller, OC (born 22 November 1923) is a Canadian film director. His filmography includes 33 major studio releases, including the 1970 film Love Story. A film festival in Hiller’s name was held each spring from 2006 until 2009 at his alma mater, Victoria School of Performing and Visual Arts, in tribute for his continued support of the school.
Hiller was born in Edmonton, Alberta, and graduated from University College, University of Toronto with a Bachelor of Arts degree in 1947, a Master of Arts degree in psychology in 1950 and received an honorary Doctor of Laws in 1995.
Hiller began his show business career in television for the CBC in Toronto in the 1950s, and was a successful television director before moving into films and Hollywood. In the 1950s Hiller directed an episode of the anthology series Alfred Hitchcock Presents entitled “Disappearing Trick” which starred Betsy von Furstenberg and Robert Horton. He also directed a number of episodes of Thriller. read more