After the end of World War II, Jerry Mulligan leaves America for Paris. He spends his days with the pianist Adam and the singer Henri, hoping to find fame as a painter in Montmartre. One day he secures the patronage of a rich lady, who is more interested in him than his paintings, but then he meets Lise, a young French girl, and soon falls in love with her. But Lise has promised to marry Henri, who saved her during the war… Against an extremely accurate reconstruction of Paris, lit by unrealistically glitzy colours, Gene Kelly’s energy is paired with the grace of Leslie Caron, a young dancer not yet twenty years old, making her dazzling film debut. Accompanied by Gershwin’s music, written in 1928, Minnelli made this one of the most famous and best-loved musicals in cinema history. –Locarno Film Festival
Vincente Minnelli (February 28, 1903 – July 25, 1986) was a Hollywood director and stage director. His skilled integration of story, music, lighting, and design elements in a film made him the most critically respected crafter of American film musicals. With first wife Judy Garland, he was the father of Liza Minnelli.
Born Lester Anthony Minnelli in Chicago, Illinois, United States, Minnelli was the youngest surviving child of Mina Mary LaLouette Le Beau and Vincent Charles Minnelli. His father was musical conductor of Minnelli Brothers’ Tent Theater. Minnelli’s Chicago-born mother was of French Canadian descent and his paternal grandfather was from Sicily.
With his background in theatre, Minnelli was known as an auteur who always brought his stage experience to his films. The first movie that he directed, Cabin in the Sky (1943), was visibly influenced by the theater. Shortly after that, he directed Meet Me in St. Louis (1944), during which he befriended the film’s star… read more
A mighty teaming of Kelly, Gershwin (both of them), Lerner and Minnelli; what transpires is a grand showcase of all the different sides of show business between them - music, song, dance, pianoforte and film - in a musical movie that’s somewhere between an MGM extravaganza and the lightest sugary sweet gambol. Its charm is old-school, yet it’s very much a product of its own vision. The final, 15 minute choreographed set piece cements the film’s reputation beyond all doubt, simply being one of the gaudiest, most grandiose and greatest ever sequences within the genre.
Heroes in american movies usually are not selectable by the viewer. Although here I should empathize with Gene Kelly and Leslie Caron, I found myself much more closer to the other characters, especially Henri who is the real game changer and the rich woman who tries to win Kelly's love with her power. They are much more game changers than the protagonists. Stunning dance sequences.
Leslie Caron ruined It 4 me 4real(except 4 when we 1st are introduced 2 her hehehe)....there mos def are moments of beauty in here with the last sequence,if only it had atleast 1 other performance on THAT level then I would of gave it 5stars but 2 me it sags and is kinda uneven. But I dug the Buster Keaton inspired opera dream ;)
Vincente Minnelli’s films are like full-color X-ray photography of the inner universe of his characters.
Musically, An American in Paris is one of the greats. It’s a luxurious, beautiful, happy, and thrilling page from the Golden Age of Hollywood musicals. It’s beside the point to state the obvious. This… read review