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Anastasia

United States

1956

105 Min
Color
French, English
  • Currently 3.2/5 Stars.
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DIR Anatole Litvak

PROD Buddy Adler

SCR Arthur Laurents, Marcelle Maurette, Guy Bolton

DP Jack Hildyard

CAST Ingrid Bergman, Yul Brynner, Helen Hayes, Akim Tamiroff, Martita Hunt

MUSIC Alfred Newman

Director

Original

Anatole Litvak

Born in Kiev, Michael Anatole Litwak was a stage actor and assistant director as a teenager. He entered Soviet cinema in 1923, working in Nordkino studios as a set decorator and assistant director. He directed his first film, the 1925 release Tatiana (Hearts and Dollars), but left the Soviet Union that year for Germany, where he edited G.W. Pabst’s Die Freudlose Gasse (The Joyless Street, 1925), assistant directed, and helmed the early ‘30s features Dolly Macht Karriere (1931), Nie Wieder Liebe (1932), and Das Lied Einer Nacht (1933). Fleeing the Nazis, Litvak directed films in England and France, among them the international hit Mayerling (1936). He came to Hollywood in 1937, where he helmed many handsome and polished features, specializing in crime films (The Amazing Dr. Clitterhouse, Confessions of a Nazi Spy, Castle on the Hudson, Out of the Fog) and romantic dramas (The Sisters, All This and Heaven Too). He worked on several Army documentaries during World War II, and co-directed… read more

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TFCHooligan69

18Feb12

An Oscar-winning performance from Ingrid Bergman.

Lorena likes this

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Stu Witmer

14Nov10

Saw this film again yesterday. It was a Guilty Pleasure of my youth. This time it seemed better than ever.

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axsaxs

7Jun10

Carried by Bergman.

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ANASTASIA

By Daniel A. DiCenso on September 4, 2011

Movies that deal with historic supposition like Anatole Litvak’s Anastasia warrant a two-fold evaluation. Before its artistic accomplishment can be determined, it is important to judge how it handles…  read review

Great Use of 'Scope

By Stu Witmer on November 14, 2010

Saw this film again yesterday. It was a Guilty Pleasure of my youth. This time it seemed better than ever. Particularly the ’Scope! I was knocked over by some of the wide-angle shots! Some real hard…  read review

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