Kamran

1May12

Bresson’s first serious work, Les anges du péché (1943), is all but missing his ascetic film tendencies. While absent is Bresson’s stylized punctuation — elliptical scene cuts, meticulous sound edits, and hauntingly poetic images — the film retains his sensibility. Read More: http://aestheticsofthemind.wordpress.com/2012/05/01/les-anges-du-peche-angels-of-the-street/