With the possible exception of Stanley Kubrick, no director who worked in the Hollywood studio system ever exerted more influence over the entire field of film, and the sensibilities of audiences, than Rouben Mamoulian. With an output of a mere 16 movies across just 30 years, the Russian-born Armenian-descended Mamoulian, working as director and producer much of the time, managed to generate an array of classic films in the musical, dramatic, and action-adventure fields, and was also involved in the planning and all but the final direction of three renowned Hollywood films.
Rouben Mamoulian was born in Tbilisi — which was 60-percent Armenian at the time — in Russian Georgia, in 1897. He attended university in Moscow, studying law, no less, when he decided to join the Second Studio at the Moscow Art Theater, where he studied under Vakhtangov. It was during Mamoulian’s early training as an actor and a director that he learned the importance of rhythm — structural rhythm — in creating… read more
You can hear the excitement with sound, the desire to convey NY to the rest of America. But visually & in the narrative it is exactly that density & modernity that are repudiated in favor of the open country (the swanlike nuns on the grass, Wisconsin) The dual consciousness-repudiation yet reliance on-is apparent too in the treatment of show biz. All this give the film an edginess that makes it well worth watching
the theatrical acting style combined with so modern camerawork makes for a unique experience. bring tissues
Hoje, Applause guarda pouco do impacto gerando em 1929, quando o som adentrava Hollywood de forma incondicional. Por isso, a história da mocinha criada na fé católica para ficar longe dos 'perigos' do teatro musical, protagonizado pela mãe, acaba por ser apenas um conglomerado de sons - dos ruídos da cidade aos números musicais - num roteiro fraco. Vale pela estética 'music hall", que viraria filão com os 'talkies'.