about Kim Ki-duk
playing 3 roles in 1.
Through Arirang I climb over one hill in life.
Through Arirang I understand human beings, thank the nature, and accept my life as it is now.
We are now…
in the terrestrial world lurking with desires,
in the ghostly world lurking with sorrow
in the imaginary world lurking with dreams,
with no beginning nor end,
slowly going crazy.
What is affection that it still remains all around me decaying?
It’s still stuck to the crown of my head, testing my emotions.
It’s still hiding deep within my heart, testing my sense of compassion.
If I didn’t give my heart, they would be bad people erased from memories but if I gave my heart, I couldn’t let them go till the day that I die as despicable people.
Let’s mercilessly kill each other in our hearts till we die.
I hold back as I get angry
I laugh as I get jealous
I love as I despise
And forgive as I quiver with the urge to kill.
I will kill
Myself, who remembers you. –Cannes Film Festival
One of the most controversial Korean directors, Kim Ki-duk is a self-taught filmmaker who prides himself on his outsider status, openly setting himself apart from contemporaries like Hong Sang-soo and Lee Chang-dong, who he considers too intellectual. Kim’s films have drawn vitriol for their subject matter and praise for their technique, and he has often been compared to his predecessor Kim Ki-young, who was also self-taught and whose films bear a much less brutal, but equally eccentric, personal stamp. Born in a mountainous village, Kim moved with his family to Seoul at the age of nine. During his teenage years he dropped out of school and worked in factories, and at the age of 20, he began a five-year stint in the marines, the toughest and most demanding branch of the Korean military. These early experiences would inspire the gritty milieu and dim view of human relationships that characterize his films. A painter since childhood, Kim went to France in 1990, where he studied art and… read more
i love this movie because kim ki-duk is honest in both his complete dismay at his sudden lack of creativity/willingness to work, and his attachment to his work for entirely self-indulgent reasons, i.e. acclaim, respect, etc. he drinks a lot and cries a lot. it is a very humbling experience in that it is so personal, and perhaps admitting too much to too many is risky but his openness is both endearing and admirable.
Also: Teonghwa: Korean Film Today, 2011. And David Mitchell comments on Tykwer and the Wachowski’s adaptation of Cloud Atlas.
Updated through 5/23. Emir Kusturica and his Jury (Elodie Bouchez, Peter Bradshaw, Geoffrey Gilmore and Daniela Michel) have announced that