Arise, My Love

United States

1940

110 Min

Black and White

1.37:1

English

Currently 3.8/5 Stars.
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SCR Charles Brackett, Billy Wilder

CAST Claudette Colbert, Ray Milland, Dennis O'Keefe, Walter Abel, Dick Purcell, George Zucco, Frank Puglia, Esther Dale, Paul Leyssac, Ann Codee, Stanley Logan, Lionel Pape, Aubrey Mather, Cliff Nazarro, Rudolph Anders

PROD DES Hans Dreier, Robert Usher

SOUND Earl S. Hayman, Don Johnson

Synopsis

Notable for its interventionist message, it tells the love story of a pilot and lady journalist who meet in the latter days of the Spanish Civil War and follows them through the early days of World War II. Filming began in June of 1940 and the script was continuously updated to incorporate actual events, such as the signing of the armistice between France and Germany in the Compiegne Forest. The character of Augusta Nash was, seemingly, based on that of Martha Gellhorn. —wikipedia

Director

Mitchell Leisen

Mitchell Leisen (b. October 6, 1898, Menominee, Michigan–d. October 28, 1972, Los Angeles) was an American director, art director, and costume designer.

Film career

He entered the film industry in the 1920s, beginning in the art and costume departments. He directed his first film in 1933 with Cradle Song and became known for his keen sense of aesthetics in the glossy Hollywood melodramas and screwball comedies he turned out.

His best known films include the Alberto Casella adaptation Death Takes a Holiday and Murder at the Vanities, a musical mystery story (both 1934), as well as Midnight (1939) and Hold Back the Dawn (1941), both scripted by Billy Wilder. Easy Living (1937), written by Preston Sturges and starring Jean Arthur, was another hit for the director, who also directed Remember the Night (1940), the last film written by Sturges before he started directing his scripts as well. The films Lady in the Dark (1944), To Each His Own (1946), and No Man of Her… read more

Mitchell Leisen (b. October 6, 1898, Menominee, Michigan–d. October 28, 1972, Los Angeles) was an American director, art director, and costume designer.

Film career

He entered the film industry in the 1920s, beginning in the art and costume departments. He directed his first film in 1933 with Cradle Song and became known for his keen sense of aesthetics in the glossy Hollywood melodramas and screwball comedies he turned out.

His best known films include the Alberto Casella adaptation Death Takes a Holiday and Murder at the Vanities, a musical mystery story (both 1934), as well as Midnight (1939) and Hold Back the Dawn (1941), both scripted by Billy Wilder. Easy Living (1937), written by Preston Sturges and starring Jean Arthur, was another hit for the director, who also directed Remember the Night (1940), the last film written by Sturges before he started directing his scripts as well. The films Lady in the Dark (1944), To Each His Own (1946), and No Man of Her Own (1950) were later successes. Also Charles Brackett’s comedy The Mating Season (1951) starring Gene Tierney, Miriam Hopkins and Thelma Ritter was an updated version of Leisen’s earlier screwball comedies of the 1930s, and was also his last big movie success.

When his film career ended, Leisen directed episodes of The Twilight Zone, Thriller, Shirley Temple’s Storybook and The Girl from U.N.C.L.E.. He also bought a nightclub.

Personal life

Though married, Leisen was reported to be gay or bisexual. According to Carolyn Roos, Leisen’s long time business manager’s daughter, he had a very long relationship with dancer/actor/choreographer Billy Daniel up until the 1950s (Daniel died in 1962). Leisen along with Daniel and dancer/actor Mary Parker formed Hollywood Presents Inc. as a means of promoting both Daniel and Parker off-screen. Leisen died of heart disease in 1972, aged 74. His grave is located in Chapel of the Pines Crematory.

Awards

He garnered his sole Academy Award nomination in 1930, for Art Direction, for Cecil B. DeMille’s Dynamite. Hold Back the Dawn (1941) was nominated for the Academy Award for Best Picture; while it received five other nominations as well, it wasn’t nominated for Best Directing. —Wikipedia

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