Jerome, a kid from the suburbs who loves to draw, goes to New York City’s Strathmore College for his freshman year as a drawing major. Competition and petty jealousy consume faculty and students, with an end-of-first-semester best-student award held out as a grand plum. Worse, a strangler is on the loose, killing people on or next to campus. The idealistic Jerome falls in love with Audrey, a student who models for life-drawing classes and who responds to his sweetness. But he has a rival: the clean-cut, manly Jonah, also a first-year drawing student, whose primitive work draws raves and Audrey’s attention. As cynicism seems to corrode everything, Jerome is desperate to win. —IMDb
Singular filmmaker Terry Zwigoff showed his talent for giving both real life and fictional outsiders their cinematic due in his as yet small but distinguished oeuvre.
A San Francisco resident, Zwigoff held numerous jobs, including musician, shipping clerk, printer, and welfare office worker, before he made his first foray into film in the 1980s with his documentary short Louie Bluie (1985). A portrait of an obscure blues artist, Louie Bluie revealed Zwigoff to be an able documentarian and presaged his personal passion for blues and jazz music that would give his feature Ghost World (2001) its extraordinary soundtrack. Zwigoff subsequently co-wrote two screenplays with his long time friend, underground cartoonist Robert Crumb, in the late ’80s but neither got made.
Instead, Zwigoff made Crumb himself the subject of his first feature-length documentary. A Sundance Film Festival sensation and art house hit, Crumb (1994) proved to be a devastating examination of a family utterly… read more
Meta in a way, oddly very true. I think I have seen every one of the stereotypes in this movie in my art school.
A low-key comedy about art school cliches that, with an absurdist late twist, turns into a darker satire. If you come for laughs you will probably be disappointed: there are a few jabs at buzzword-dropping hacks but the wider joke seems to be on humanity itself. It's a cynical movie, down to its seemingly gentle final shot, and better than reputation suggests. (The backseat convo in the last few minutes is brilliant)