Among the finalists for “Centerfold Of The Year” are Angel and her spiteful rival Betty. However, no one is aware of Angel’s involvement in a secret medical beauty enhancement program headed by Dr. Lindstrom. Desperate to win, Angel overdoses on Lindstrom’s formula, with disastrous results. Soon she has grown to monstrous but shapely proportions, causing all sorts of complications, the most dangerous being Betty’s jealousy of Angel’s new-found attention. Betty discovers Angel’s secret and takes the formula herself, causing her to grow into an equally gorgeous giant. —IMDb
Director/screenwriter/makeup artist Fred Olen Ray hocked virtually everything he owned to make The Alien Dead (1978). Never mind that, as a graduate of the Brown University School of Engineering, Ray could have named his own salary in practically any job in his field: Celluloid was in his blood, and there it would remain from 1978 to the present. Often shooting four or more films per year, Ray occasionally turns up something that transcends the exploitation film genre and his miserly budgets; if you look at them objectively, films like Hollywood Chainsaw Hookers (1988) and Beverly Hills Vamp (1989) are heaps better than most of the dreck clogging up the video stores’ R-rated shelves. If nothing else, few other bottom-barrel filmmakers outside of Fred Olen Ray can boast an acting talent pool that has included the likes of Lawrence Tierney, Buster Crabbe, John Philip Law, Jan Michael Vincent, P.J. Soles, Britt Ekland, Martine Beswick, Julie Newmar, David Carradine, and Martin Landau… read more